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The Burning Earth is Yale history professor Sunil Amrith’s fifth book, and his first that focuses his academic eye on the climate crisis.

“As a citizen and then as a parent,” he says, “the climate crisis just became unavoidable in my mind.”

His first books, notably Crossing the Bay of Bengal and Unruly Waters, focused on the history of migration and ecology in Southeast Asia. The Burning Earth takes a global tack, covering the history of the climate crisis from hundreds of years ago, when the Industrial Revolution ignited the mass commodification of natural resources, to now, with the elimination of CFCs and recent climate tech. He sees history through the lens of human needs and desires, and specifically, the luxurious wants of a small slice of elites.

Sunil Amrith is the Renu and Anand Dhawan Professor of History at Yale University, with a secondary appointment as Professor at the Yale School of the Environment.

“The desires of a small elite, and the violent pursuit of inequality through empire, has turbocharged our impact on the planet,” Amrith says. As he writes in the prologue:

I can no longer separate the crisis of life on Earth from our concerns with justice and human freedom that inspired me to become a historian in the first place.

What is the main focus of the book?

The core question in The Burning Earth is really: How much is human freedom dependent on the destruction of our planet? I do not think that human flourishing necessitates the sheer and irreparable harm that we have done to our planet. I think a lot of that has been driven more by the desires and the consumption of a small elite amongst human beings.

You write about need, want and desire and how it relates to the climate crisis. How have those base human traits contributed to the climate breakdown?

I see two long-term paths towards our climate crisis. One is the story of human need. Food and shelter account for a significant part of our impact on the planet — the search for food and shelter, both of which are still very unequally accessed. And that is a long-term story, that the search for food contributes not just to greenhouse gas emissions, but overwhelmingly to biodiversity loss.

The second story we need to tell is that for at least 500 years, the desires of a small elite, and the violent pursuit of inequality through empire, has turbocharged our impact on the planet. It is the vast and disproportionate resources consumed by those with wealth and power in the world. Their identity has changed over time. For several hundred years, it was mostly Northern Europeans. And now that group of people is certainly much more distributed across the world.

You write in the book that elites looked at groups of people who are close to nature as being less human.

I think one of the questions we ask ourselves as we face this climate breakdown is, how did we ever come to believe that the health of the planet didn’t matter to all of us? And yet I think that there has been a period in global history where proportions of people around the world have acted as if it wasn’t true – that we could disregard the health of rivers and forests and simply consume at any rate we chose. That is a mentality that I do also associate with a mentality that imposes a hierarchy on other human beings.

If you look at, for example, the early colonization of the Americas, the language that the Iberian colonizers used to talk about Indigenous people is very often: they are close to nature. They are not fully human like we are. That legitimizes plunder and exploitation and violence, but it also legitimizes mass deforestation and extraction.

Was there any way, historically, to stop the inevitable march towards our climate crisis?

The motivations that are driving people to want to expand their lifespans, to improve the conditions and the security with which their families live – I never want to lose sight of those kinds of baseline human aspirations.

There are deep human dreams which you can see shared across cultures to simply want one’s descendants to have a better life, to want one’s family to continue. I do see that there is a progression in human beings’ ability and power to mold their surroundings, to make those surroundings more hospitable or more habitable for the human societies.

Then there are parts of the story which I think weren’t inevitable. There was nothing ordained about plantation production, for example, which is a very particular kind of cultivation which has to do with exploiting nature as quickly as possible for rapid gain. I think that is a very specific kind of innovation.

I think there are technologies that could have had multiple different kinds of uses. And what we’ve tended to see is that their use has been towards maximum extraction.

You write about silver mining and sugar plantations. How were these some of the earliest environmental catastrophes?

There’s no question that silver mining in the Americas was an environmental catastrophe, and we now have archaeological and genetic evidence that suggests just what a catastrophic impact that had on the health of workers. It was the use of mercury in extracting silver that was so devastating to both the landscape and above all to people’s health. That silver is at the root of what becomes a global economy.

One could probably make the argument that no single crop has caused greater harm than sugar both to human beings and to nature. Sugar began as a very, very rare luxury. It was treated as one of the fine spices in medieval Europe. And it’s only when you start to get large-scale plantation production combined with the social and economic transformations of early modern Europe that it becomes an item of mass consumption.

What effect did large scale steel and iron production have?

It’s largely a 19th century story. The age of industrialization coincides exactly with the fossil fuel era, because if we begin with coal in the second half of the 18th century, we start to see widespread use of coal first in England, then in northwestern Europe and in North America.

I think what changed more than anything else is scale – both the scale of resources that are needed for factory production, and the scale of impact that can be had. I think the story of the railroads is a classic example of this. One of my favorite works of environmental history is Bill Cronin’s book Changes in the Land, which shows how the city of Chicago really reshapes the entire American Midwest. And it does so through the rail lines. Suddenly, Chicago’s markets and exchanges become accessible. And that hastens the destruction of forests, that hastens the expansion of wheat production and monocrop production. And I think we see similar stories all over the world, which is what happens is that as people can travel further, as goods can travel further, you start to get global markets for commodities. And that pushes forward the commodification of nature, the idea that this is not a forest, this is timber, that shift in mentality.

You describe how the “war machine” is a mechanism of climate destruction.

That is the part of the book that was the biggest surprise to me. I did not expect that I would conclude that of all the forces driving climate breakdown, warfare is possibly number one. I think the two world wars came to strike me as being pivotal transformative moments, not just because of the scale of resources which went into both of those wars, but also because of the scale of destruction that those wars then made possible, culminating in atomic weapons by the end of the second world war.

Military emissions are not counted in most of our climate targets and most international contributions that have been agreed to. The best estimate we have is that military missions account for about 5% of greenhouse gas emissions, but that is a guess because we don’t know.

You write about the data project of 1957 and 1958, one of the first climate data projects. Tell me about the through line between that and the sheer amount of data we have now.

This is the International Geophysical Year, and it was this year that the Mauna Loa Observatory was set up in Hawaii, which is, to this day, sort of the gold standard that we have for measuring cumulative concentrations of carbon dioxide in the atmosphere. 

The Mauna Loa Observatory in Hawaii in 2008. Ken Dewey / University of Nebraska-Lincoln School of Natural Resources

This data came during the height of the Cold War. This project is drawing in countries from both sides, drawing in countries that don’t necessarily get along. This is the data that first makes us aware that we are living through a period of unprecedented climate change.

With the acceleration the amount of data today, does it not seem to reason that more data would help our imperiled planet?

More data is undeniably important to climate scientists as they make projections and formulate their models. But more data hasn’t necessarily led to more consensus. More data has not necessarily changed the overall narrative about climate change. I think the data is essential, but I’m not sure that we’re at a point where more data is going to change more people’s minds. Those are political questions, those are cultural questions, and those are much harder to shift.

Why won’t more – and better – data change more people’s minds?

Firstly, I think in the U.S. more than anywhere else, there has been a politically motivated skepticism of that data. We know that the fossil fuel companies have been directly involved in promoting that sort of distrust all over the world. We’re in a broader populist moment of distrust of expertise. That is one reason why I think more data won’t necessarily change people’s minds.

Another is that data is complicated, and the way in which climate scientists and other earth scientists think about uncertainty doesn’t necessarily translate very smoothly into broader general consciousness.

And finally, the data is sometimes on a scale that is just unfathomable for all of us, so detached from our everyday lived experience, that I think we need more translation. And maybe that is where a creative artist, or a novelist like the great Richard Powers, have had more impact on shifting people’s awareness and consciousness perhaps than more data.

As an educator at Yale, how did researching and writing this book change what you bring to the classroom?

I’ve been teaching environmental history for about 15 years. And there are classes I’ve taught where the questions students have raised, the projects they’ve done, the conversations we’ve had in the classroom have just stayed with me. So, it’s not just what I bring to the classroom, but really what I get from the classroom that is translated directly into this book.

I think we need to bring the environment into everything, not just into environmental history, but I think we need to be thinking about these questions across our humanities curriculum. I mean, in that sense, that’s partly what I was trying to do with The Burning Earth, which was to say, let’s not separate the environmental story from perhaps more familiar stories about the rise and fall of empires, about unfree labor, about migration, about global transformations. And I think more broadly, that’s what I would love to see happen, which is a kind of weaving in of the more-than-human, the planet, the ecology into how we study literature, into how we study philosophy.

Might one of the hopes of this book be for people to look at the world around them and to realize that everything that’s made here possibly comes from a place of environmental destruction?

I would love readers of The Burning Earth to make connections between the material that I present, especially that which is most unfamiliar in their everyday lived experience. My aspiration is not to make people feel guilty. Quite the opposite. I want to give readers the impression that everything is interconnected.

This is about looking at choices with a sense of hopefulness that that means that a shift in consciousness or new forms of collective action can bring about change and perhaps even bring about change quite quickly.

As a historian, any predictions for the future?

I think we are living through a period, you know, just this decade, I think, of such unpredictable change that I think there are so many different trajectories that could lie before us, some of them terrifying, and some of them more hopeful.

The post ‘Everything Is Interconnected’: Author and History Professor Sunil Amrith on Facing the Climate Crisis appeared first on EcoWatch.

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11 Best Fair Trade and Sustainable Jewelry Brands That Shine

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There’s something undeniably special about wearing uniquely handcrafted, fair trade jewelry that you can know was made slowly and thoughtfully with care. Equally special is wearing an elevated set of jewelry crafted with recycled materials and sustainable processes.

Whether you’re looking for an investment piece or more affordable pieces, there are options for any budget on this list. The aesthetics of these fair trade and sustainable jewelry brands also vary, so you’ll also be able to discover an ethical brand that matches your unique style.

What is Fair Trade Jewelry?

Fair trade can both be a general term used to describe a brand’s sourcing practices — like direct relationships with artisan cooperatives, wages above local standard rates, and safe working conditions — or a third-party “Fair Trade” verification through an organization like Fair Trade Federation, Fair Trade USA, or World Fair Trade Organization. When a brand doesn’t have a certification, we verify a brand’s practices by their own published information.

In the cases where brands do go the extra mile and get a third-party verification for their fair trade practices, we’ve noted it directly in their entries.

Note that this guide includes affiliate links and partners. As always, we only feature brands that meet high standards for responsibility we love, and that we think you’ll love too!

2. Ana Luisa

Best for: affordable everyday jewelry

Conscious Qualities: Recycled Gold, Lab-Grown Diamonds, Small-Batch Production, Direct-to-Consumer

Ana Luisa creates stunning, elegant jewelry from responsibly-sourced materials including 100% recycled gold and lab-grown diamonds. The sustainable jewelry brand also produces in small batches to minimize waste.

By using a direct-to-consumer model, Ana Luisa is able to provide luxury, high-quality jewelry at accessible prices.

Fair trade recycled gold jewelry from Ana Luisa

3. Monica Vinader

Best for: recycled demi-fine jewelry

Conscious Qualities: Woman-Founded, Recycled Silver & Gold Vermeil, Traceable Gemstones, Lab-Grown & Conflict-Free Diamonds, Supply Chain Transparency

Price Range: $85 (studs) – $2,495 (diamond ring)

British jewelry brand Monica Vinader was one of the first brands to meet the gap between fashion jewelry and fine jewelry with their “demi fine” jewelry. The women-founded brand has necklaces, earrings, bracelets, and rings crafted from 100% recycled sterling silver and gold vermeil, fully traceable gemstones, and lab-grown or conflict-free diamonds. Monica Vinader also launched Product Passports, taking an active effort towards full supply chain transparency.

Recycled gold huggie earrings and gold hoop earrings

4. WorldFinds

Best for: unique statement jewelry with a story

Conscious Qualities: Fair Trade Verified, Upcycled Materials, Artisan-Made

WorldFinds provides sustainable employment and just wages for hundreds of women artisans in India and Bali. These artisans handcraft both sleek metal fair trade jewelry and unique recycled Kantha pieces. WorldFinds is Verified by the Fair Trade Federation, which assesses members against fair trade principles including fair wages, safe conditions, and transparent supply chains.

Plus WorldFinds’ signature Kantha jewelry is made from upcycling materials: wood scraps from a furniture factory and locally sourced Kantha fabric remnants.

Recycled kantha fair trade jewelry

5. Astor + Orion

Best for: drop earrings and charm necklaces with symbolism

Conscious Qualities: Certified Ethical Factory, Recycled Materials, Designed for Recyclability, Repair Program

Ethical jewelry brand Astor + Orion sources their jewelry from a factory with multiple certifications ensuring worker safety, fair production practices, and responsible environmental management. Astor + Orion’s stunning jewelry is made from recycled materials and designed in a way to make it easily recyclable! Their pieces also come with a quality assurance — the brand will repair any piece within 6 months of purchase.

Recycled silver necklace with serpent wrapped around heart

6. Laura Elizabeth

Best for: non-toxic jewelry in organic shapes

Conscious Qualities: Locally Sourced Recycled Metals, Woman-Owned, Fair Wages, Safe Working Conditions
Price Range: $45 – $330

Crafted from recycled metals sourced locally in LA, Laura Elizabeth creates stand-out sustainable jewelry. All of the brand’s jewelry is sourced ethically from a small, woman-owned studio in Los Angeles that ensures reasonable working hours (35 hr/week), fair wages, and safe working conditions (such as proper ventilation). Check out more on Laura Elizabeth in this post!

The jewelry is also non-toxic, free of cadmium or lead.

closeup of woman with sustainable brass earrings and organic rings

7. Ten Thousand Villages

Best for: giftable fair trade jewelry

Conscious Qualities: Fair Trade Production, Artisan-Made
Price Range: $6 – $175

Founded in 1946, Ten Thousand Villages is one of the fair trade pioneers and a founding member of the World Fair Trade Organization (WFTO), the global network that verifies fair trade practices across its member organizations.

They’ve developed relationships with artisans around the world, providing valuable economic opportunities for thousands of makers in 30 countries around the world. Their marketplace has handmade necklaces, earrings, bracelets, and rings, along with a variety of other fair trade goods.

Gold handmade ethical rings from Ten Thousand Villages

8. Edge of Ember

Best for: gemstone jewelry

Conscious Qualities: Recycled Gold & Silver, Artisan-Made, Ethical Production
Price Range: $49 (ear cuff) – $2,730 (diamond tennis bracelet)

Edge of Ember’s timeless jewelry is responsibly crafted by makers working in artisan groups and small-scale factories. Their delicate necklaces, bracelets, rings, and other pieces are crafted by skilled artisans in India, Hong Kong, Germany, and Thailand. The brand carries out independent social audits to ensure ethical working conditions and environmental responsibility.

Edge of Ember has a wide selection of recycled gold and silver rings, bracelets, and necklaces adorned with stunning gemstones, including many birthstone jewelry options perfect for gifting.

9. Aurate

Best for: ethical diamond fine jewelry

Conscious Qualities: 100% Recycled Gold, Lab-Grown & Conflict-Free Diamonds, Vintage Collection
Price Range: $18 (stainless steel chain) – $19,000 (diamond tennis necklace)

Responsibly-sourced quality jewelry — that’s Aurate’s promise. The jewelry brand’s sleek, timeless pieces are thoughtfully made by seventh-generation craftspeople using 100% recycled gold and lab-grown or conflict-free diamonds.

Aurate also has a curated collection of vintage fine jewelry from cocktail watches to signet rings up to 50% off.

Recycled sustainable gold earrings and necklaces from Aurate

10. SOKO

Best for: modern, minimalist artisan-made jewelry

Conscious Qualities: Above-Market Artisan Wages, Black-Owned
Price Range: $78 – $298

SOKO is an innovative Black-owned ethical jewelry brand using mobile tools to bridge the barriers for artisan entrepreneurs in Kenya. In partnership with SOKO, independent artisans can operate a “virtual factory”, earning 5x more than an average artisan workshop in their local areas.

The jewelry is made with 24K gold or silver-plated brass — an affordable metal that also happens to consist of 90% recycled content on average. Other materials include reclaimed horn and bone, locally-sourced teak wood offcuts, and ceramic beads made by a fair trade women’s collective in Kenya.

Gold ethical earrings and bracelet from Soko

10. Raven + Lily

Best for: affordable artisan jewelry

Conscious Qualities: Fair Trade Verified, Artisan-Made, Women-Led
Price Range: $40 – $240

Raven + Lily is an ethical fashion and jewelry brand verified Fair Trade by the Fair Trade Federation. The women-led brand partners with artisan women around the world who use natural materials to craft both classic, elegant pieces and statement jewelry.

Fair trade delicate jewelry pieces from Raven + Lily

11. NAKIIT

Best for: one-of-a-kind, solo-handcrafted pieces

Conscious Qualities: Made-to-Order, Recycled Silver & Gold, Zero-Waste Scrap Recycling
Price Range: $21 – $485

As a small, slow-minded jewelry brand, NAKIIT’s founder + owner handcrafts each piece with intention. In fact, every piece of jewelry the brand sells is made by the founder herself!

Nearly all of NAKIIT’s ethically-made jewelry is either made-to-order or one-of-a-kind, ensuring a minimal ecological impact and the highest attention to quality.

As if we could love this brand even more, NAKIIT also sources recycled sterling silver and gold, plus recycles any remaining metal scraps or dust after production.

Elegant ring with diamond

You May Also Want to Check Out:

Best Fair Trade Fashion Brands With Style and Heart

Affordable Ethical Fashion Brands

Consciously Curated Marketplaces for One-Stop Ethical Shopping

The post 11 Best Fair Trade and Sustainable Jewelry Brands That Shine appeared first on Conscious Life & Style.

11 Best Fair Trade and Sustainable Jewelry Brands That Shine

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Our 10 Favorite Slow Fashion Brands: Sustainable, Ethical & Timeless