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This is the first blog from GAME 2026

Learning to listen
What does the ocean sound like? There is the wind moving across Akkeshi Bay, deer grazing in the woods next to the ocean, and the soft rhythm of the waves against the jetty. Moreover, there is a fox foraging along the shore (かわいい。- kawaii), the seagulls` sharp calls from the sky, and the distant hum of fishing boats. And beneath the water surface? There is an entirely different world of sound.

Underwater sound travels faster, farther and often in all directions. The underwater world is constantly active, even though it appears silent to us humans. Tiny larvae drift and swim through the water, searching for a place to settle to become adults. They are guided by chemical cues, light, and sound. What happens if that process is distracted by sounds like boat noise? Will the larvae still settle or will they look for other places?

Four weeks ago, I arrived in Japan, to begin the fieldwork for my Master´s thesis as part of GAME 2026 at the Akkeshi Marine Station (AMS in short).

Akkeshi has a small fishing economy, which is mainly known for oyster farming. The town is remote, windswept, and deeply connected to the sea — making it an ideal natural laboratory for marine research.

View from the water towards the Akkeshi Marine Station. ©Tomo Sekioka.
Birds’ perspective on Akkeshi Bay, Hokkaido, Japan. Close-up on Akkeshi Marine Station, AMS marked with an orange dot and the guesthouse at a distance of 100 m to the north-west. In April the water is around 5° C. Source: QGIS ESRI Satellite and windy.com.

Akkeshi is located in eastern Hokkaido, in a remote and largely natural region with extensive wetlands that are rich in birdlife, while the town is surrounded by coastal cliffs and forests. An iconic red bridge leads from the town of Akkeshi to the marine station, which lies within a protected area.

The marine station, where I am based, is located directly at the coast and experiences strong tidal variation both seasonally and daily. From the very first day, it was clear that this project would not only be about data collection, but also about adapting to a new environment — scientifically, culturally, and personally.

My research explores how underwater soundscapes, such as noise from ship engines, interacts with hard-bottom communities. In particular, I will examine whether boat noise affects the formation and early development of these communities. To test this, I will deploy an underwater loudspeaker that plays back boat noise towards PVC settlement panels, which simulate a vertical surface for the settlement of invertebrate larvae. During and after the experiment, I will analyse the composition of the communities that establish on the settlement panels and will compare it to the composition of assemblages that developed in the absence of boat noise.

Passing vessels in Akkeshi Bay, illustrating intermittent sources of anthropogenic noise. ©Maximiliane Scheller.
Hard-bottom communities growing on stones at the jetty, close to the experimental site. ©Maximiliane Scheller.

Over the past four weeks, I have been laying the groundwork for this field experiment by testing the equipment, observing the weather and wave conditions at the experimental site, and building the experimental setup that will later allow me to collect the data for my thesis. Come with me and get a glimpse on how I conduct the preliminary work.

Building the foundation: Preliminary work

GAME projects are usually carried out by two-person teams. However, in 2026 no Japanese student was found for Team Japan and therefore I am working more independently with some support by Jun Hirose, who is an employee at AMS. I also get a lot of help from other people working at the station, including the very kind technicians. To make sure we understand each other about setups and difficult constructions, I established to draw things out to make it easy for everyone to follow my ideas.

Jun Hirose and Maximiliane after a hard day of work at the jetty. ©Maximiliane Scheller
Visitors during field work in Akkeshi bay. Left: Slaty-backed Gull — Larus schistisagusa. Right: Red-breasted merganser (male and female) — Mergus serrator. ©Maximiliane Scheller.

The first phase of my stay in Akkeshi has been dedicated almost entirely to tests and preparations. Before any meaningful data collection can begin, it is essential to test how the equipment performs under real-world conditions.

One of the key components of my project is an underwater sound system for recordings and playbacks. I began with testing the hydrophones and the sound playback devices under controlled conditions in the laboratory, e.g. in tanks, before gradually moving to open-water trials. During these tests, I verified signal clarity and noise levels, experimented with different cable configurations, and evaluated how sound propagates in coastal waters.

Initial testing of the acoustic equipment, transitioning from controlled conditions to field applications. ©Maximiliane Scheller.

In addition to the technical setup, I also started with doing preliminary underwater recordings. They will serve as a baseline for assessing acoustic isolation, i.e. making sure that the treatment level that does not include sound playbacks does not receive sounds from the boat noise treatment level.

Sanding the test PVC panels. Right: Testing the audio player boat noise file with a common speaker at site. ©Maximiliane Scheller, ©Jun Hirose.

Designing and testing the experimental frame A milestone in these first weeks was the construction and testing of the experimental frame. This structure is designed to hold the settlement panels and the acoustic equipment in place at specific depths in the water column. It is built from PVC pipes, which are stabilized with ropes and buoys, and is anchored near the pier of the marine station. One of the first tasks was to attach panels to the frame, which will later be used as settlement substrata, but for now the goal was simply to test their stability and positioning.

Field deployment is rarely straightforward as wind, waves, and currents constantly interfere with even the simplest tasks. Lowering the frame into the water required careful coordination, and retrieving it was often even more challenging. During these activities, I spent a significant amount of time on the pier, working close to the water, adjusting ropes, checking connections, and observing whether the setup remains intact over time.

Teamwork! Lifting the test frame constructed from PVC pipes with attached panels and buoys out of the water. ©Maximiliane Scheller.

Communication beyond language One unexpected but important aspect of my work here has been communication across language barriers. The technician I work closely with does not speak English, and my Japanese is still very basic. To bridge this gap, I began drawing detailed sketches of the experimental setups.

Sketching the circular shaped setup, which will later be attached to the rectangular frame that was already used in previous GAME projects. ©Maximiliane Scheller, ©Jun Hirose.

Every adjustment of the setup, no matter whether it was the placement of a hydrophone, the angle of a panel, or the water depth in which a frame is deployed, was first translated into a visual diagram. Over time, this method proved incredibly effective. It not only improved communication, but also forced me to think more clearly about the design of my experiment.

The experimental site: Knowing nature

A crucial part of my project so far has been documenting the conditions at the experimental site. To make sure that the experimental setup will not be damaged, it was important to get to know the tides, the currents and the weather conditions. At times, harsh weather conditions forced us to take a break from field work. In those moments, I enjoyed the cinematic scenery of sunsets, and I turned to other tasks, such as sanding the settlement panels in order to make their surface more suitable for colonizers.

View from the AMS towards the bay. Right: Fishing trawlers are leaving the harbour to be safe during a tsunami warning.

Life at the marine station

Life at the marine station is a balance between fieldwork and lab work. After long hours outside, I often return to the lab to clean equipment, process preliminary data, or prepare for the next deployment.

I have also spent time helping others with their work, which has been an important part of integrating into the team. Whether assisting with equipment, handling or sharing observations, these interactions have made the experience of working at AMS more collaborative and less isolating. The station itself is modest but well-equipped. It provides everything that is necessary for field-based marine research, and its proximity to the water makes transitions between lab and field seamless.
Surprisingly, Jun Hirose and I got a welcome party from the whole office. It was a great opportunity to talk (or gesture) with other members of the station. And of course, there was great food, cooked by some of the researchers.

Sunset at the guesthouse during the preparations for the welcome party for the two new members of AMS, Jun Hirose and Maximiliane. There was plenty of food including freshly bought scallops, salmon from the fishermen and handpicked wild onions. ©Maximiliane Scheller.

Nature and wildlife encounters

While the focus of my project is on underwater acoustics, the environment near the marine station constantly reminds me that this is a living ecosystem. Deer frequently wander near the station, sometimes appearing unexpectedly along the road. On a few occasions, I have even spotted a fox passing by quietly or lying next to the dining area at the guesthouse.

During a weekend break, I took the opportunity to explore Hokkaidō’s nature further to watch birds and seals. Watching seals swimming in the water, while seabirds circled overhead added another dimension to my understanding of the site. These animals are not just part of the scenery, they are also part of the acoustic environment I am studying.

Akan Nationalpark and its hot sulfate springs. ©Maximiliane Scheller.
Kami no ko Ike pond with some snow. ©Maximiliane Scheller.
Seal, scallop and a fox resting next to the guesthouse. ©Maximiliane Scheller.

What comes next

In the next phase of the project, I will shift from preparations to the systematic collection of data. With the setup tested and refined, I will run a controlled experiment to analyze whether sound interferes with the settlement of larvae.

What comes next

In the next phase of the project, I will shift from preparations to the systematic collection of data. With the setup tested and refined, I will run a controlled experiment to analyze whether sound interferes with the settlement of larvae.

I already started collecting data when I did recordings for assessing whether the frame that holds the settlement panels, which will not be exposed to boat noise, is acoustically isolated from the frame that holds the speaker.

Experimental frame with the underwater speaker installed. A hydromoth, which is an underwater audio microphone, is hanging in the water to record the boat noise playback. ©Maximiliane Scheller.
View from the water towards the jetty, where the experimental frame with boat noise playback will take place. Behind the jetty is the guesthouse. Jun Hirose documenting Maximiliane recording underwater soundscape with the hydromoth (underwater recording device) at the experimental frame close to the jetty. ©Tomo Sekioka.
Maximiliane after assessing acoustic isolation in the water. ©Tomo Sekioka.

Fieldwork is rarely smooth. Equipment fails, weather changes quickly, and even simple tasks can take much longer than expected. There have been days when strong winds made it impossible to deploy the setup, and others when technical issues forced me to repeat tests. However, each challenge has also led to small improvements such as better cable management, clearer protocols, and more efficient workflows.

Finishing work with a nice sunset from AMS. While leaving the office we say: お疲れ様です。 (Otsukare sama desu – Thank you for your hardwork!) ©Maximiliane Scheller.

Beyond the data, this experience has been shaped by the place and the people who made it possible. Working here in Akkeshi is a reminder that research is not just about results. It is about a process, adaptation, and observation. It is about learning to listen, not only to underwater soundscapes, but also to the environment and the people around you. I feel very lucky to be able to be here and I appreciate the moments I have been collecting so far and I am looking forward to the next four months. Because sometimes, the most interesting discoveries are not the ones you set out to find, but the ones you encounter along the way.

厚岸、ありがとうございました。

お疲れ様です。

Maximiliane

Wind, waves, and boat noise: The first four weeks of underwater sound research in Akkeshi, Japan.

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Ocean Acidification

Barnacles, buoys and boat engines: researching the effects of underwater sound in Malaysia

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Leonie (left) and Najwa (right) in front of the CEMACS jetty (© Izzat).

Selamat Datang and welcome to the hot and sweaty country of Malaysia! Ever since we, Leonie and Najwa, have arrived in Penang, the northwestern island of Malaysia, in April this year, it has been a constant 30 degrees with an average humidity of 70%. However, it feels both hotter and more humid than that. Unfortunately, the weather will not change much during our stay as Malaysia lies very close to the equator (at latitude 5°N). Thus, it has no seasons, but a nearly constant temperature and day/night rhythm of 12 hours.

Beginning to adapt

The sun is just peaking above the sea when I (Leonie) have to leave my house. The bus leaves (more or less) always at the perfect time to watch the sun slowly rise over the ocean. I use the 30 min bus ride, which costs me about 2 Ringitt (or ~20 cent), to wake up and prepare for the day ahead at the Centre for Marine and Coastal Studies (CEMACS). During the bus ride beaches, restaurants, cafés and small towns pass by in the window. Especially, one secluded beach and its beach house, which is for sale, make the bus ride go by fast – thanks to daydreaming about living there. When I arrives at 8 am at the entrance to the National park, in which the institute is located, Najwa is already waiting for me. She only needs a 5 minute car ride to get there from home, since she found an apartment close by. Now we just have to wait for the boat to take us to the institute within the national park. Technically, a 40 min hike through the park would also do the trick, but both of us are not ready for such a sporty activity at 8 in the morning and a daily boat ride is so much more fun anyways.

CEMACS lies in the heart of the Taman Negara Pulau Pinang, the national park of the island of Penang in northwestern Malaysia. Because of that, it’s quite a way to the big city of Georgetown and thus sources of noise, disturbances and pollution are far away. This is especially important for this year’s GAME project as we aim to find out whether underwater soundscapes influence the formation of hard-bottom communities.

Leonie taking a nap on the beach during lunch break (left, © Najwa).
The sunset by the institute (right, © Leonie).

We are trying to find answers to this question in the warm and salty ocean right in front of the gates of CEMACS. For that we deploy large metal frames that carry settlement panels into the sea. Two of those frames will additionally be equipped with an underwater speaker with which we can playback – in principle – any kind of sound we like (trust me, it was tested and it was a good day). To distinguish between the experiments that the two of us will conduct, we will use different soundscapes. One will focus on anthropogenic noise, i.e. the sound that is emitted by either a fishing or a container vessel. The noise will be played back at random times during the day, but will accumulate to a total of 30 minutes every hour. The other team member will focus on a natural soundscape that will be recorded at a healthy underwater location close by. The settlement panels will be retrieved regularly in order to find out how and if the playbacks are affecting the composition of the establishing hard-bottom communities.

The set-up of our ambient frame without (left) and with the dummy speaker (right, ©Leonie).

Sounds easy enough, yea? Technically it is, but the nature can be treacherous around here. Jellyfish, like the Ribbon Jellyfish (Chrysaora chinensis), are daily visitors and as pretty as they are, as much does it hurt to get stung by them. After some painful incidents, we now wear full body coverage whenever we are in the water to minimize the skin contact. One person, who stands on land, is always watching the water surface to give a warning in case one of us comes too close to one of the jellies. It’s important to always have someone watching, since we don’t see a lot when we are in the water ourselves. The visibility can be so poor that you cannot even see your hand in front of you. Which is why we struggle to detect the up to 50 cm long tentacles that can sting us. The jellies drift with the currents and like to hang around the jetty, where our frames are deployed.

Leonie and Najwa successfully retrieving all the HydroMoths (hydrophones) (top left, ©Izzat). Buoys that mark the position of one experimental frame near the jetty on a calm day (top right, ©Leonie). Najwa and Leonie attaching PVC settlement panels to the frames in the water (bottom left/right, ©Izzat).

But even on the land, it’s not entirely safe. Since CEMACS is in the middle of the national park, it is not uncommon to see animals around the institute. The cats and even the lizards are rather cute to look at but the monkeys and the mosquitos? A nightmare! Before the morning boat even leaves at 08:10 both of us already have 5 mosquito bites, a constant buzzing in the ear and are always itchy. Want to have your lunch by the water on the beach? Think twice because monkeys can and will steal your food. Even the laboratory is not safe and has to be locked up monkey-proof.

A ribbon jellyfish (left) and our technical equipment box locked to keep it safe from the monkeys (right, ©Leonie).

When we are not blasting ABBA or LinkinPark while setting-up our experiment or trying not to get stung by jellyfish during maintenance work in the water, we can actually enjoy Georgetown. The city is about 1 hour by bus from our living quarters and offers the exact opposite of CEMACS. It is loud, full, bright and brimming with life (humans, not animals). Due to its rich mix of Malay, Chinese, Indian and indigenous cultures clashing together, you can find every kind of food downtown. From delicious savoury food over sticky fruits and drinks to sweet desserts. You can find these tasty items all over the island often in hawker stalls or cute restaurants. Of course, you can also go shopping wonderfully (much to the dismay of Leonie and her limited baggage weight for the flight back home) or just walk around the town and get swept up by the street murals, salty breeze and picturesque buildings.

A traditional dish – Roti Kari, very tasty! (top left). The bottom left and right picture show Love Lane and Umbrella Lane within downtown Georgetown, which are popular for going out and shopping (©Leonie).

Do we have to restart?

The deployment of our frames went smoothly, attaching and retrieving the HydroMoths (i.e. hydrophones) went smoothly, and the preparation for the sampling week went smoothly. Probably, everything went a bit too smooth in hindsight, because when the sampling week arrived, nothing went smoothly.

We seemingly lost our entire control frame (i.e. frame without sound playbacks).

During our daily boat ride towards CEMACS we have normally perfect view to see the white buoys of our control frame floating in the distance. Except on that Tuesday. The weather was a bit rough over the weekend and it was still windy and wavy, so we tried to argue that the glare of the sun plus the waves are messing with our eyesight. Surely, we would see it once we get out there to take off and analyse our panels. But when our boat reached the exact coordinates, at which we deployed the frame, there was nothing. No buoy. No rope. No frame. No hint whatsoever. Immediately, we got into the water and were searching the area with the help of two colleagues. But still, we found nothing. The visibility was not in our favour and Najwa got stung by a jelly, what didn’t make the situation better.

After we had to realize that the possibilities were high that our frame got either stolen by someone or it got washed away during the storms, we accepted defeat. Over the next couple of days, we were analysing the panels from the frame with sound playback (aka speaker frame) and discussed options with our supervisors. Upon agreement we started one more search and rescue mission. This time we were dragging an anchor across the seabed for quite some time. Clammy hands, shallow breath and elevated heartbeat. Everyone on the boat was on edge after 30 min of searching. Our colleague held up his hand. The boat stopped. He got something. To everybody’s surprise he pulled up our control frame!! It was completely covered with barnacles, so that the frames and panels were barely distinguishable but we got it back. It obviously became to heavy for the buouys that we attached to it and sank to the seafloor. Immediately, we got to work: Pulling the frame onto the boat, cutting off each panel to inspect it in the lab and cleaning the frame (which was equally stinky, disgusting and difficult).

Finding the ambient frame and pulling it out of the water (top left, ©Najwa). Najwa is cleaning the barnacles off of the frame (top right, ©Leonie). Our ambient frame on the boat after we pulled it out (bottom left) and the cleaned-up frame shortly before we deployed it again (bottom right, ©Leonie).

Now the hard work began: analysing the panels. We first weighed and photographed them to estimate the biomass and the degree of coverage on them. Then each and every panel needed to be inspected through a stereomicroscope to identify as many organisms as possible. Most of the panels were covered with barnacles, to be precise it was Amphibalanus amphritite. But apart from that we also found some worms that built themselves tubes on our panels (probably individuals from the family Sepulidae and Spionidae) and were thus sessile too, some bryozoans, colourful tunicates and a lot of small shrimps, crabs and flatworms that were roaming around. Just within four weeks, the sad-looking grey PVC panels have become a location for the smaller animals of the ocean to settle and start their lives.

A juvenile crab found on our panels in between the barnacles (top left), some Ascidiacea on the panels (bottom left) and the barnacle Amphibalanus sp. next to some bryozoans (right, ©Leonie).

Before we deployed the frame again, we attached a total of 13 buoys and have now a little buoy party in the water which never fails to make us giggle. They are supposed to prevent the frame from sinking again.

Leonie deploying the ambient frame after the first sampling event with the newly added buoys (©Haziq).

The natural soundscape dilemma

Now that Leonies experiment is running (more or less smoothly) it is time to concentrate on the preparation for Najwas experiment which will focus on the natural soundscape.

At first, CEMACS and Penang seemed like the perfect place to begin collecting natural soundscape recordings. We believed it would provide a healthy, natural, and undisturbed underwater acoustic environment. However, despite being located in the national park with little human activity per se, Penang is one of Malaysia’s busiest coastal regions. The constant movement of ferries, fishing boats, tourist vessels, and commercial shipping creates a persistent layer of anthropogenic noise beneath the water. Instead of capturing the quiet rhythms of marine life, many of the recordings that we made were dominated by human activity. It became clear that Penang was not the ideal location for getting an undisturbed soundscape on tape. But where can we find that?

The search led us to Langkawi, an archipelago of 99 islands located just 100 km north of Penang near the border with Thailand. Renowned for its clear waters, rich marine biodiversity, and relatively low levels of coastal development in certain areas, Langkawi offered a far more promising environment for natural underwater acoustic recordings.

Within Langkawi, our attention turned to Pulau Anak Datai, a small island situated off the northwestern coast of the main Langkawi Island. It’s surrounded by coral reefs, rocky shorelines, and lush tropical rainforest. Compared to many of the more popular tourist destinations in Langkawi, Pulau Anak Datai experiences considerably less boat traffic, allowing its underwater environment to retain a more natural acoustic character. These conditions make it an ideal site for our needs.

With the study site finally selected, the next challenge was deploying the HydroMoths.

Concrete blocks with metal poles (left). Najwa on the way to Anak Datai Island together with Izzat (left) and Mr Suhardi (right, ©Najwa).

The recordings were scheduled over five consecutive days, with two HydroMoths deployed simultaneously to maximize the number of sites we could survey. To secure the HydroMoths underwater, we brought along two concrete blocks fitted with metal poles from CEMACS. These were previously used by another GAME team, and at the time, they seemed like the perfect solution. The concrete blocks were heavy, stable, and, most importantly, gave us peace of mind. We were worried about the HydroMoths moving with waves and currents, creating unwanted handling noise in the recordings. We were also concerned about the possibility of losing the devices whether due to storms, strong currents, or even someone discovering and taking them. But due to the seabed at Pulau Anak Datai being covered in rocks, corals and just life, it was difficult to position the blocks securely. The handling became a struggle, above and underwater.

No, we needed to adapt. Field work has a funny way of destroying the illusion of a thought through plan and pointing out every little flaw. We thought the original plan was fool proof. Turns out, it was not.

Giant clamps, soft corals, anemones and clown fish that we found in Anak Datai Island during the HydroMoth deployment for natural sound recording (©Najwa).

After surveying the area more closely and brainstorming some ideas, we purchased ~100 cm long metal poles, which we would simply hammer down into the ground between the corals. We then could attach the HydroMoths onto them. Fool proof, for real.

The new setup was lighter, easier to transport, quicker to deploy, and required only a fraction of the energy needed for the concrete blocks. What initially felt like a major setback showed us that flexibility and adaptability are the most important qualities during field work. And keeping a cool head, which can be the most difficult part.

Najwa is now owner of hours on end of the natural underwater soundscape in Langkawi. In order to actually use it as a playback, though, she has to listen, filter, crop and edit the recordings.

A HydroMoth attached to metal pole that was anchored in a concrete block (top left). Hydromoth attached to a 100 cm metal pole (top right). Najwa inserting a metal pole with a HydroMoth for recording (bottom left). Najwa with two HydroMoths on the last day of a natural sound recording trip in Langkawi (bottom right, ©Najwa).

Every obstacle from searching for a truly natural soundscape to redesigning our deployment method became a lesson that no classroom could have taught. In the midst of our experiment, we are still learning to adapt, be patient with ourselves and stay curious about the processes and solutions that fieldwork demand. The ocean rarely follows our plans, but perhaps that is exactly what makes studying it so rewarding. Jumpa lagi! (See y’all!)

Barnacles, buoys and boat engines: researching the effects of underwater sound in Malaysia

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Ocean Acidification

The jellyfish we see are only half the story

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When moon jellyfish gather in large numbers, the bloom is impossible to ignore. Hundreds or thousands of medusae can suddenly fill a bay or fjord. Because this swimming stage is so visible, it is often the focus of monitoring and research. But the familiar jellyfish is only one chapter in a much more complex life cycle. Before entering the open water, moon jellyfish can spend years as tiny polyps attached to rocks, algae or other hard surfaces on the seafloor. These polyps reproduce asexually and release young jellyfish when conditions are suitable. Our new study in Trondheimsfjorden, Norway, shows why this hidden stage deserves much more attention. The central finding is that the stage that moves the least may be the stage that gives a jellyfish population its greatest stability.

Image courtesy: https://sciencedigest.org/facts-about-jellyfish/

One animal two worlds

Moon jellyfish (Aurelia aurita) alternate between two contrasting habitats. Polyps remain attached to the seabed and can persist locally for years. Medusae live in the water column for a much shorter time and can be transported by currents across the fjord.

This creates an ecological puzzle. If medusae can travel widely, should populations throughout a fjord become genetically well mixed? Or can local structure survive because the stationary polyp stage retains diversity in particular places? Our new study in Trondheimsfjorden, Norway, shows that these hidden polyps may be crucial for maintaining genetic diversity. We combined field observations, genetic analyses of 572 samples and a model of movement through fjord currents. We found 70 genetic variants—and a striking difference between life stages.Polyps consistently held high genetic diversity. Medusae varied much more between places and years and were sometimes dominated by only a few variants. The polyps therefore appear to act like a biological seed bank: many possibilities remain stored out of sight, while each year’s conditions determine which ones emerge.

Currents alone could not explain the genetic patterns: the model predicted more mixing than was observed among medusae. Transport is therefore only part of the story. Local retention, temperature, food, survival and reproductive timing can filter which variants reach the visible stage.

This matters because jellyfish blooms affect food webs, fisheries, tourism and coastal infrastructure. Better forecasts will require more than counting medusae or following currents. We must also monitor polyp habitats and understand what controls transitions between life stages.

The wider lesson is simple: to understand the connectivity and resilience of marine organisms, we cannot study only the most visible, or most mobile part of their lives.

Paper: Majaneva, S., Ellingsen, I., Javidpour, J. and Aberle, N. (2026). Benthic life stages retain fjord-scale population structure despite pelagic dispersal. Frontiers in Marine Science, 13:1895768. https://doi.org/10.3389/fmars.2026.1895768

The jellyfish we see are only half the story

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Ocean Acidification

What are Tire Wear Particles?

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What do you think about when you hear the words “microplastic pollution?” Your mind may immediately go to imagery of colorful fragmented plastics broken off from bottles, buckets and other items we use in our everyday lives. Or, perhaps, you imagine a pile of microplastic fibers—the tiny, squiggly, spaghetti-shaped plastics that shed from our synthetic clothing. You may be surprised to hear there is another major source of microplastic pollution that’s hiding in plain sight, quite literally under our feet, that might change how you think about microplastics: tire particles.

We all know tires wear down over time—that’s why we have to replace them on our cars roughly every 60,000 miles or so. Every time a vehicle accelerates, brakes or simply drives down the road, the friction between its tires and the pavement creates tiny fragments of rubber, known as tire wear particles.

Driving a car or even riding in a bus is a bit like dragging an eraser across the planet, except the crumbs are microplastics. Toxic microplastics.

Dr. Britta Baechler
Director, Ocean Plastics Research, as quoted in Eos magazine

Tires are made from a complex mix of natural and synthetic rubber along with a range of additives, fillers and chemical compounds—some of which, like the preservative 6PPD, have been shown to be highly toxic to coho salmon when they break down into derivative product 6PPD-Q in the environment—even in tiny concentrations.

Some studies have shown that a single vehicle’s tires can emit more than two trillion particles per mile driven—and that the average person generates nearly two pounds of tire particles per year! Once these particles are shed from tires, they don’t just disappear. Some are small and light enough to become airborne, drifting away from roadways as dust. Others settle on road surfaces, where they accumulate until the next heavy rain washes them into storm drains and from there, into streams, rivers and eventually the ocean.

That’s why tire wear particles are now considered one of the top sources of microplastics to the environment. In fact, until recent developments in analytical methods, scientists weren’t reliably able to detect tire wear particles in microplastic counts—thus, these pesky microplastics may have been evading our detection for years.

Why green infrastructure may be one of our best near-term solutions

Unlike some sources of plastic pollution, we can’t simply stop driving overnight. Reformulating tire rubber to be less toxic or shed less material, while promising, will take time to develop, test and scale across the global vehicle fleet. So, what can we do about tire wear particle pollution right now?

This is where green infrastructure comes in. Green infrastructure refers to engineered natural systems (things like bioswales, rain gardens, roadside buffers and permeable pavement) that are designed to slow down, filter and treat stormwater before it reaches rivers, lakes and coastlines. Instead of routing runoff directly into storm drains and out to sea, green infrastructure gives contaminated water a chance to percolate through soil, plants and other natural filtration media, which helps trap microplastics, including tire wear particles, preventing them moving further downstream.

Early research on green infrastructure has been promising, showing that these systems are quite effective at capturing microplastics and other contaminants carried in road runoff. But there’s a critical piece we still don’t fully understand: What would it take to scale up green infrastructure across an entire city, and how much of a dent would that actually make in long-term tire wear particle pollution?

Our research on green infrastructure capture of tire wear particles

Funded by the Tire Industry Project, our plastics science and policy teams at Ocean Conservancy have partnered with the University of Toronto on a new study evaluating the costs and benefits of scaling up green infrastructure at the city level specifically to capture tire wear particles.

If you happen to be driving on the roadways of Portland, Oregon, you may spot our scientists crouched over, precariously scooping dirt with spoons from a sample area on the roadside. Don’t be alarmed—that’s just us doing science! Feel free to give us a wave.

Ocean Conservancy is currently working to:

  • Quantify the scale of pollution: Collect road dust samples from 30 cities globally to measure both total microplastic and tire wear particle concentrations and determine how different variables (population density, road size, rainfall) might influence those values.
  • Assess feasibility: Determine what it would take realistically—logistically, financially and spatially—to scale up green infrastructure across an entire city.
  • Model positive impacts: Estimate how much city-scale green infrastructure could reduce tire wear particle pollution entering aquatic ecosystems.
  • Compare across cities: Understand how well these solutions might translate across different urban contexts, focusing on Portland, Oregon; Toronto, Canada; and London, England as case-study cities.
  • Make our findings accessible: Produce a public-facing toolkit to help city planners, engineers and advocates guide real-world implementation of infrastructure that captures tire-wire particles. 

By pairing rigorous science with practical guidance, we hope to help cities move from asking “Could this work?” to confidently building solutions that we know can be effective.

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Tire wear particle pollution can feel like an overwhelming problem. After all, it’s tied to transportation, which most of us rely on every day. But that’s exactly why research like this matters: It gives us a real, near-term path forward that doesn’t require waiting for the entire global transportation system to change first.

You can help by staying engaged with Ocean Conservancy as we continue to dig into solutions for the plastic pollution crisis—one roadway, one storm drain and one city at a time. Together, we can keep working toward a world and ocean free of plastic pollution, forever and for everyone.

The post What are Tire Wear Particles? appeared first on Ocean Conservancy.

What are Tire Wear Particles?

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