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I am a descendent of the Mdewakanton Oyate, the Dakota people in Minnesota, and an enrolled member of the Sicangu Oyate in South Dakota. My lifework has emerged from weaving together my cultural identity, my writing, and my work in food sovereignty, helping to reclaim and protect our Indigenous seeds and food traditions.

My mother was Lakota, enrolled on the Rosebud reservation, but her experience in boarding school disconnected her from her community. I grew up focusing instead on early social justice issues with the environment.

In April 1970, before there was an Environmental Protection Agency, or a Clean Air Act, or a Clean Water Act, the first Earth Day was created to spark what would become a national environmental movement. As a sophomore in high school, I celebrated this first-ever event with a group of teenagers assigned to pick up trash alongside the road. For many of us, this occasion was another opportunity to protest the gas-guzzling, war mongering, materialistic, misogynistic, racist society that we were part of. Protecting the environment seemed like an extension of many parallel movements to challenge social injustice, including the American Indian Movement, civil rights, and protests against the Vietnam War.

In college, I began working for the Minnesota Public Interest Research Group, my dream job working to change the world. I researched and lobbied against the use of hydrofluorocarbons, and met my hero, Ralph Nader. I believed, as did many of my generation, that we had the passion and commitment to create a more just and equitable world while protecting the environment.

Through my early work as a writer, I explored issues of cultural identity, assimilation and historical trauma. I encountered a profound turning point in 2000, when I first heard of the old, rare, tribal seeds that were being grown out in Farmington by a tiny, bare-bones Native program called Dream of Wild Health. As both a writer and a gardener, this was the moment in which my passion for cultural recovery and environmental work came together.

On a ½ acre garden, they were growing Cherokee Trail of Tears corn that was descended from the original removal of the Cherokee people, Hopi black turtle beans, and traditional tobacco that was said to be hundreds of years old. These seeds carried stories of the land, the seasons that had formed them, the hands that planted them, as well as the turbulent histories of the people who protected them over many generations. For some of these seeds, there were only a handful remaining.

When I was hired by Dream of Wild Health in 2008, I was blessed to work with Native elders, farmers, youth and their families, and the seeds themselves, relearning an Indigenous relationship with the land that was intrinsic to my identity as a Dakota/Lakota person. Being a good relative to all living beings is one of the most important teachings for Dakota people. We say, Mitakuye Owasin, We Are All Related, as a way of claiming kinship with our seeds, water, land, plants and animals, that is rooted in reciprocity, or caring for each other. Indigenous peoples of the Americas developed 3/5 of the world’s foods that we rely on today, establishing the original organic, local, and sustainable food systems.

I also learned the hard history around our Indigenous seeds and foods, and the ways in which they have been used to coerce Native people. Arapaho elder, Ernie Whiteman, once said to me, “If you can control the food, you can control the people.” In the late 1800s and early 1900s, tribes were forced onto reservations where they lost access to their traditional foods from hunting and gathering, and became dependent instead on commodity foods that were high in starch and fat. This had a profound cultural impact as well. The ceremonies and prayers that were part of planting and harvesting were not needed when food came in sacks and cans.

In place of traditional gardens and foodways came a new relationship with the land that treated plants and animals as commodities. This new agricultural system relied on intensive chemical fertilizers and pesticides and introduced genetically modified seeds, seemingly without regard for the long term health of our soil, water and food. How our food is grown is intimately connected to the environmental issues we face, contributing to our current climate crisis. And yet despite the marketing claims that an industrialized food system is needed in order to feed the world, an estimated 10% of our global population is now hungry, many of them children. The same is true for the United States, while diet-related diseases are reaching epidemic levels that disproportionately affect low-income communities of color.

Through my writing and education work, as well as participation at COP28, I am committed to helping restore our relationship with the earth that recognizes how we are all connected down to the smallest bacteria. Rebuilding sovereign food systems that are framed with principles of justice and equity will help heal the health of our communities as well as the earth. When seeds are planted with prayers and songs, tended with love, and shared with our community, then our food once again becomes our medicine.

Portions of this story were adapted from an essay, Seeds for Seven Generations, that was first published in the anthology, “A Good Time for the Truth.”

Diane Wilson

Diane Wilson is a Dakota writer, educator, and bog steward, who has published four award-winning books as well as numerous essays. Her novel, The Seed Keeper, received the 2022 Minnesota Book Award for Fiction, and her memoir, Spirit Car: Journey to a Dakota Past, won a 2006 Minnesota Book Award and was selected for the 2012 One Minneapolis One Read program. She has also published a nonfiction book, Beloved Child: A Dakota Way of Life, a middle-grade biography, Ella Cara Deloria: Dakota Language Protector, and co-authored a picture book—Where We Come From. Wilson is a Mdewakanton descendant, enrolled on the Rosebud Reservation. She is the former Executive Director for Dream of Wild Health, an Indigenous non-profit farm, and the Native American Food Sovereignty Alliance, a national coalition of tribes and organizations working to create sovereign food systems for Native people.

Diane is a Climate Generation Window Into COP delegate for COP28. To learn more, we encourage you to meet the full delegation and subscribe to the Window Into COP digest.

The post Reclaiming Food as Medicine appeared first on Climate Generation.

Reclaiming Food as Medicine

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Commencement of NSW Forestry assessment a ‘chance to fix a broken system’ and deliver urgent forest protection

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SYDNEY, Friday 18 September 2026 — In response to the Federal and NSW government’s announcement to commence an assessment of NSW forestry under the new national nature laws, Adele Chasson, Nature Policy Lead at Greenpeace Australia Pacific said:

“This is the Federal Government’s chance to fix a broken system that has enabled the destruction of NSW’s precious forests for far too long.

“Native forest logging continues to smash threatened species habitat. In NSW, it is pushing unique wildlife like koalas, greater gliders and glossy black cockatoos towards extinction. The state-owned logging agency has a disastrous record of environmental damage and breaches.

“The Regional Forest Agreement (RFA) system has failed, allowing the industrial logging of special forests for decades across Australia with no oversight. Thankfully, the Federal Government has started the process to finally remove the logging industry’s exemption from national nature laws.

“It’s time for the Federal Government to deliver the protection that forests urgently need, and that Australians overwhelmingly want. The Government must ensure a thorough assessment of the devastating impacts of native forest logging in NSW, and establish strong environmental rules that states must follow.

“These forests have been cared for by First Nations people for tens of thousands of years. They are some of the most biodiverse on the planet, store carbon, clean our air and water. It’s critical we protect them.”

ENDS

Media contact:

Kate O’Callaghan on 0406 231 892 or kate.ocallaghan@greenpeace.org

Commencement of NSW Forestry assessment a ‘chance to fix a broken system’ and deliver urgent forest protection

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Furry Little Peach x Greenpeace

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What happens when a love of marine life meets a playful imagination?

Sydney artist, illustrator and children’s author Sha’an d’Anthes, better known as Furry Little Peach, has teamed up with Greenpeace to create Happy Ocean Happy Planet: a joyful celebration of the extraordinary creatures that call our oceans home.

Sha’an felt inspired to create an illustration celebrating the beauty and resilience of marine life. Its hopeful message, A Happy Ocean is a Happy Planet, sparked a special collaboration with Greenpeace and a limited-edition t-shirt designed to help protect the oceans that inspired it.

The exclusive Furry Little Peach tee is available as a gift to new regular Greenpeace donors who give $30 or more and make at least three donations. By becoming a regular giver, you’ll help Greenpeace campaign for ocean protection.

Furry Little Peach Sha'an d'Anthes x Greenpeace

ARTIST INTERVIEW: Sha’an d’Anthes (Furry Little Peach)

Sha’an shares the story behind the artwork, the local marine creatures featured in the design and why hope can be such a powerful force for action.

Hi Sha’an! Can you tell us a little about yourself and what you do?

My name is Sha’an d’Anthes, I also go by the pseudonym Furry Little Peach and I’m an illustrator, artist and children’s author based in Sydney, Australia. I love creating joyful, vibrant and nostalgic art that looks at the world through the lens of childlike wonder.

What do you love about drawing animals and nature?

I love all of the different shapes, colour and narrative you get to explore when drawing animals and nature. I’m also a city-slicker these days, and so I think that my work is a sort of escapism (for myself and hopefully for my audience).

How did the Greenpeace collaboration come about?

I went to the premiere of David Attenborough’s documentary Ocean, and felt compelled to create something to share the message of the film. This t-shirt is actually based off of that illustration including the tagline in I included when I shared it “A Happy Ocean is a Happy Planet”. I’m so grateful Greenpeace approached me for the project – it was a blast.

Where did you start when creating the Happy Ocean Happy Planet design?

The Happy Ocean tee starts the same as all of my work – with a brainstorm/braindump and really loose concept sketches.

How did you choose the animals for the illustration?

I actually asked Greenpeace to help me with the research of local marine life and they were so accommodating. They very quickly delivered me a huge list of local species of fish, mammals and coral and I just went through and looked up each creature and curated a little group of sea life that I thought would look sweet together – a mix of sizes, types, colours, textures and shapes.

What did you use to create the artwork?

So much of my work is traditional, but when it comes to things like t-shirts I always use digital drawing programs because I like to draw each colour in a separate layer which requires me to jump in and out of layers because it allows me to control colour and printing. When working digitally I always sketch in Procreate (an Australian digital art app), and then with this project I created final art in Adobe Fresco because it called for a vector graphic (an image that can be blown up to any size).

Do you have a favourite creature in the design?

I love painting Humpback Whales and always have, but I also have a soft spot for the sweet little Jelly Blubber jellyfish.

What did you want people to feel when they saw the artwork?

I specifically wanted to focus on the outcome that all of us want to see – a happy, thriving ocean where creatures are given the time and space to balance themselves. I feel that even when tackling tough subjects, leaning into hope is my natural inclination. As long as we have hope that things can be better, we will continue to take action.

What was the most fun part of creating it?

I actually documented the entire process of this project in a studio vlog on YouTube – and you can see how much fun I’m having doing final art jumping between layers and building the image. I had just come off completing final art for two books which are multi-year long projects, so being able to do a project that from start to finish in just a few days was really freeing at the time.

Watch Sha’an’s Full Vlog

What does a “happy ocean” mean to you?

An ocean that given the time and space to repair and balance itself. Something I really took away from David Attenborough’s Ocean is that ocean ecosystems are actually really good at repairing themselves if we just let them do their thing.

How can people get their hands on the t-shirt?

The shirt is a reward for regular givers to Greenpeace – those who commit to at least 3 months of donations will receive the tee as a gift. Read about how at http://act.gp/flp-tee

How is Greenpeace helping to make our oceans happier places?

They have a deep focus on the health and happiness of our oceans through advocating for the set up of marine sanctuaries, holding big ocean polluters to account and calling for a ban on deep sea mining.

What are you working on next?

I will be jumping headfirst into Peachtober – an annual daily art challenge I run each year in October, if there are any artists reading this it’s a great time so please come join! In terms of publications my next picture book The Late Bird will be out in February 2027 (published by Harper Collins US) and then I have an creative activity book for adults coming out next August with Chronicle US and Penguin Australia. Otherwise you can always check out what I’m tinkering away with in my studio on Instagram and YouTube.

Furry Little Peach x Greenpeace

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AI giant Anthropic’s first Australian data centre deal an “egregious” example of Big Tech double talk

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SYDNEY, Thursday 17 September 2026 — Greenpeace Australia Pacific has slammed AI giant Anthropic’s deal for its first Australian site in Queensland’s Western Downs, the heart of coal seam gas country, saying the project will entrench gas and turbocharge climate pollution.

The expected electricity demand from the data centre site, situated in the middle of the Western Downs coal seam gas fields, is comparable to 1.5 million Australian households. Greenpeace’s report Energy Vampires: The AI data centres draining Australia called for a moratorium on frenzied data centre development until appropriate guardrails are in place.

Joe Rafalowicz, Head of Climate and Energy at Greenpeace Australia Pacific, said: “This is an egregious example of Big Tech giants being given carte blanche to drain energy and water, and use polluting gas to fuel their hyperscale data centres.

“AI and Big Tech corporations claim to bring new renewable energy to the grid, while blatantly planning to power their operations with polluting fossil fuels.

Planning documents show the first stage of this behemoth project could be powered by ‘behind the metre’ gas — the same playbook AI companies have used in the US, leading to a 20% increase in climate pollution from electricity. Now these companies want to bring their cowboy plans to Australia and the Federal Government is allowing it.

“If they plugged into the local grid, the power required would increase Queensland’s electricity grid emissions by around 6.6 million tonnes — an 18% rise. If they build their own gas-fired power plants, this will drive up Queensland’s emissions even more.

“Billions of dollars are now pouring into a massive pipeline of proposed new data centres, of unprecedented size, being built at incredible speed across the country. Australians should be worried about the extreme lack of scrutiny being applied to these projects, and the corporations leading the data centre charge.

“The data centre build-out is happening without the endorsement of the Australian people, yet we are the ones who will pay the price. We can not allow unchecked data centre expansion to derail our renewable energy transition, entrench gas and turbocharge climate pollution — that’s why Greenpeace has called for an urgent moratorium until appropriate guardrails are in place.”

ENDS

Media contact: Kate O’Callaghan on 0406 231 892 or kate.ocallaghan@greenpeace.org

AI giant Anthropic’s first Australian data centre deal an “egregious” example of Big Tech double talk

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