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Across the planet, human settlements have been built as if rivers, oceans, and forests were mere backdrops to human stories rather than powerful forces with their own laws and rhythms. Building in flood zones and reshaping rivers for convenience are among the clearest examples of this folly. The land has been forced to serve human needs, instead of humans learning to live within the land’s limits and patterns.

Floodplains are not “vacant land.”

Floodplains exist because rivers regularly rise, spread, and deposit sediment, renewing soils and supporting rich ecosystems. When development paves, drains, and walls off these areas, two things happen at once: the land loses its capacity to absorb and slow water, and the people who move in inherit predictable risk. Subdivisions, highways, and industrial sites on floodplains in British Columbia and elsewhere have repeatedly suffered catastrophic damage during extreme rainfall and snowmelt, drowning farmlands, homes, and critical infrastructure.

Each socalled “natural disaster” becomes an expensive lesson paid in insurance claims, disaster assistance, and rebuilding costs, even though the river did what floodplains are meant to do: spread, move, and reclaim space. When homes and farms in interior B.C. flood, or when subway tunnels in Toronto fill with water during intense storms, it is not simply climate change striking at random; it is climate change colliding with decades of landuse decisions that pretended water had no right of way.

Dams and the broken lives of rivers

Dams are often framed as engineering triumphs, providing flood control, hydropower, and water storage. Yet every dam interrupts a river’s life systems: sediment transport, fish migration, nutrient flows, and seasonal flooding of wetlands and floodplains. Large dams have submerged valleys and Indigenous homelands, altered fish populations, and changed downstream flow regimes, undermining food security and cultural practices.
Their economic “benefits” frequently ignore these losses, as well as the costs of maintenance, aging infrastructure, and climatedriven changes in flows that can reduce power generation and increase safety risks. When dams fail or when extreme events exceed their design standards, the damage can be enormous: lives lost, communities evacuated, ecosystems damaged, and public funds poured into emergency response and repair. Each failure is a reminder that rivers have their own energies and attempts to control them permanently will always carry risk.

The planet is already saying “no.”

The future of infrastructure is being negotiated now, not only in boardrooms and design studios, but also in floodwaters, wildfires, coastal erosion, and heat waves. Coastal erosion and storm surge are claiming homes built too close to retreating shorelines, with houses collapsing into the sea in Atlantic Canada and other coastal regions. Increased wildfire frequency and intensity have led to devastating townlevel burns in communities like Lytton, B.C., and Jasper, AB, revealing how forestinterface development and fire suppression have amplified risk.

Urban flooding in cities like Toronto, where underpasses and transit systems are routinely overwhelmed, shows that stormwater systems designed for a gentler climate are no match for today’s extremes. In all of these cases, the planet is effectively setting new terms: specific forms of development, placement, and density are no longer viable. Engineering can delay consequences, but cannot cancel the underlying reality that water, fire, and wind will seek their own paths.

Responsive and adaptive infrastructure

The built environment of the future must move away from bruteforce control toward responsive, adaptive relationships with natural systems. Key shifts include:

Building with, not against, landforms

  • Avoiding new development in highrisk floodplains, steep fireprone slopes, eroding coasts, and other hazard zones, while prioritizing retreat, relocation, and restoration.
  • Using green infrastructure such as wetlands, permeable surfaces, and urban forests to absorb water, reduce heat, and buffer storms instead of relying solely on concrete and pipes.

Allowing rivers and coasts to move

  • Restoring floodplains and riparian zones so rivers can expand safely during high flows, reducing downstream damage.
  • Reconsidering and, where possible, removing or reoperating dams to restore ecological function while meeting human needs in less damaging ways.

Designing for failure and change

  • Accepting that some infrastructure will be overtopped, burned, or inundated, and designing systems that fail safely with clear recovery pathways.
  • Regularly updating risk assessments and landuse plans as climate patterns shift, rather than assuming static baselines.

These approaches require money, time, and political will, but rebuilding in the same vulnerable places again and again also carries immense financial and human costs.

Honouring land instead of abusing it

At the heart of this shift is a change in how land is understood:

  • Not as an object of ownership and control, but as a place with its own history, rights, and patterns to be respected.
  • Not as a blank slate for any project, but as a living system that will answer attempts at domination with erosion, flooding, fire, and instability.

For Indigenous Nations, this perspective is not new. Land, rivers, and other beings are understood as relatives with agency, not passive surfaces. Planning and building within this framework means asking whether a place can safely host a particular kind of development, not just whether it is technically feasible, and designing structures and communities that can adapt as conditions change instead of locking in rigid forms that will become liabilities.

A call to new generations

This is a moment for younger generations of planners, engineers, architects, and community leaders to refuse the old arrogance that assumed the land would adapt to human projects. The new work is to create infrastructure and communities that adapt to evolving land and climate realities. That means learning to read landscapes, waters, and fire histories as carefully as any technical manual; challenging developments that place people and ecosystems in predictable harm’s way; and innovating in ways that honour place, minimize disruption, and embrace reversible, flexible, ecologically grounded design.

The foolishness of building in flood zones and of damming rivers without regard for human life has been exposed by climate change. The question now is whether humanity will continue to abuse land as if it were inert or finally treat it with the dignity it has always deserved, recognizing that the planet will always have the final word.

Blog by Rye Karonhiowanen Barberstock

Image Credit: Ries Bosch, Unsplash

The post Human Foolishness in Floodplains appeared first on Indigenous Climate Hub.

Human Foolishness in Floodplains

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Commencement of NSW Forestry assessment a ‘chance to fix a broken system’ and deliver urgent forest protection

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SYDNEY, Friday 18 September 2026 — In response to the Federal and NSW government’s announcement to commence an assessment of NSW forestry under the new national nature laws, Adele Chasson, Nature Policy Lead at Greenpeace Australia Pacific said:

“This is the Federal Government’s chance to fix a broken system that has enabled the destruction of NSW’s precious forests for far too long.

“Native forest logging continues to smash threatened species habitat. In NSW, it is pushing unique wildlife like koalas, greater gliders and glossy black cockatoos towards extinction. The state-owned logging agency has a disastrous record of environmental damage and breaches.

“The Regional Forest Agreement (RFA) system has failed, allowing the industrial logging of special forests for decades across Australia with no oversight. Thankfully, the Federal Government has started the process to finally remove the logging industry’s exemption from national nature laws.

“It’s time for the Federal Government to deliver the protection that forests urgently need, and that Australians overwhelmingly want. The Government must ensure a thorough assessment of the devastating impacts of native forest logging in NSW, and establish strong environmental rules that states must follow.

“These forests have been cared for by First Nations people for tens of thousands of years. They are some of the most biodiverse on the planet, store carbon, clean our air and water. It’s critical we protect them.”

ENDS

Media contact:

Kate O’Callaghan on 0406 231 892 or kate.ocallaghan@greenpeace.org

Commencement of NSW Forestry assessment a ‘chance to fix a broken system’ and deliver urgent forest protection

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Furry Little Peach x Greenpeace

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What happens when a love of marine life meets a playful imagination?

Sydney artist, illustrator and children’s author Sha’an d’Anthes, better known as Furry Little Peach, has teamed up with Greenpeace to create Happy Ocean Happy Planet: a joyful celebration of the extraordinary creatures that call our oceans home.

Sha’an felt inspired to create an illustration celebrating the beauty and resilience of marine life. Its hopeful message, A Happy Ocean is a Happy Planet, sparked a special collaboration with Greenpeace and a limited-edition t-shirt designed to help protect the oceans that inspired it.

The exclusive Furry Little Peach tee is available as a gift to new regular Greenpeace donors who give $30 or more and make at least three donations. By becoming a regular giver, you’ll help Greenpeace campaign for ocean protection.

Furry Little Peach Sha'an d'Anthes x Greenpeace

ARTIST INTERVIEW: Sha’an d’Anthes (Furry Little Peach)

Sha’an shares the story behind the artwork, the local marine creatures featured in the design and why hope can be such a powerful force for action.

Hi Sha’an! Can you tell us a little about yourself and what you do?

My name is Sha’an d’Anthes, I also go by the pseudonym Furry Little Peach and I’m an illustrator, artist and children’s author based in Sydney, Australia. I love creating joyful, vibrant and nostalgic art that looks at the world through the lens of childlike wonder.

What do you love about drawing animals and nature?

I love all of the different shapes, colour and narrative you get to explore when drawing animals and nature. I’m also a city-slicker these days, and so I think that my work is a sort of escapism (for myself and hopefully for my audience).

How did the Greenpeace collaboration come about?

I went to the premiere of David Attenborough’s documentary Ocean, and felt compelled to create something to share the message of the film. This t-shirt is actually based off of that illustration including the tagline in I included when I shared it “A Happy Ocean is a Happy Planet”. I’m so grateful Greenpeace approached me for the project – it was a blast.

Where did you start when creating the Happy Ocean Happy Planet design?

The Happy Ocean tee starts the same as all of my work – with a brainstorm/braindump and really loose concept sketches.

How did you choose the animals for the illustration?

I actually asked Greenpeace to help me with the research of local marine life and they were so accommodating. They very quickly delivered me a huge list of local species of fish, mammals and coral and I just went through and looked up each creature and curated a little group of sea life that I thought would look sweet together – a mix of sizes, types, colours, textures and shapes.

What did you use to create the artwork?

So much of my work is traditional, but when it comes to things like t-shirts I always use digital drawing programs because I like to draw each colour in a separate layer which requires me to jump in and out of layers because it allows me to control colour and printing. When working digitally I always sketch in Procreate (an Australian digital art app), and then with this project I created final art in Adobe Fresco because it called for a vector graphic (an image that can be blown up to any size).

Do you have a favourite creature in the design?

I love painting Humpback Whales and always have, but I also have a soft spot for the sweet little Jelly Blubber jellyfish.

What did you want people to feel when they saw the artwork?

I specifically wanted to focus on the outcome that all of us want to see – a happy, thriving ocean where creatures are given the time and space to balance themselves. I feel that even when tackling tough subjects, leaning into hope is my natural inclination. As long as we have hope that things can be better, we will continue to take action.

What was the most fun part of creating it?

I actually documented the entire process of this project in a studio vlog on YouTube – and you can see how much fun I’m having doing final art jumping between layers and building the image. I had just come off completing final art for two books which are multi-year long projects, so being able to do a project that from start to finish in just a few days was really freeing at the time.

Watch Sha’an’s Full Vlog

What does a “happy ocean” mean to you?

An ocean that given the time and space to repair and balance itself. Something I really took away from David Attenborough’s Ocean is that ocean ecosystems are actually really good at repairing themselves if we just let them do their thing.

How can people get their hands on the t-shirt?

The shirt is a reward for regular givers to Greenpeace – those who commit to at least 3 months of donations will receive the tee as a gift. Read about how at http://act.gp/flp-tee

How is Greenpeace helping to make our oceans happier places?

They have a deep focus on the health and happiness of our oceans through advocating for the set up of marine sanctuaries, holding big ocean polluters to account and calling for a ban on deep sea mining.

What are you working on next?

I will be jumping headfirst into Peachtober – an annual daily art challenge I run each year in October, if there are any artists reading this it’s a great time so please come join! In terms of publications my next picture book The Late Bird will be out in February 2027 (published by Harper Collins US) and then I have an creative activity book for adults coming out next August with Chronicle US and Penguin Australia. Otherwise you can always check out what I’m tinkering away with in my studio on Instagram and YouTube.

Furry Little Peach x Greenpeace

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AI giant Anthropic’s first Australian data centre deal an “egregious” example of Big Tech double talk

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SYDNEY, Thursday 17 September 2026 — Greenpeace Australia Pacific has slammed AI giant Anthropic’s deal for its first Australian site in Queensland’s Western Downs, the heart of coal seam gas country, saying the project will entrench gas and turbocharge climate pollution.

The expected electricity demand from the data centre site, situated in the middle of the Western Downs coal seam gas fields, is comparable to 1.5 million Australian households. Greenpeace’s report Energy Vampires: The AI data centres draining Australia called for a moratorium on frenzied data centre development until appropriate guardrails are in place.

Joe Rafalowicz, Head of Climate and Energy at Greenpeace Australia Pacific, said: “This is an egregious example of Big Tech giants being given carte blanche to drain energy and water, and use polluting gas to fuel their hyperscale data centres.

“AI and Big Tech corporations claim to bring new renewable energy to the grid, while blatantly planning to power their operations with polluting fossil fuels.

Planning documents show the first stage of this behemoth project could be powered by ‘behind the metre’ gas — the same playbook AI companies have used in the US, leading to a 20% increase in climate pollution from electricity. Now these companies want to bring their cowboy plans to Australia and the Federal Government is allowing it.

“If they plugged into the local grid, the power required would increase Queensland’s electricity grid emissions by around 6.6 million tonnes — an 18% rise. If they build their own gas-fired power plants, this will drive up Queensland’s emissions even more.

“Billions of dollars are now pouring into a massive pipeline of proposed new data centres, of unprecedented size, being built at incredible speed across the country. Australians should be worried about the extreme lack of scrutiny being applied to these projects, and the corporations leading the data centre charge.

“The data centre build-out is happening without the endorsement of the Australian people, yet we are the ones who will pay the price. We can not allow unchecked data centre expansion to derail our renewable energy transition, entrench gas and turbocharge climate pollution — that’s why Greenpeace has called for an urgent moratorium until appropriate guardrails are in place.”

ENDS

Media contact: Kate O’Callaghan on 0406 231 892 or kate.ocallaghan@greenpeace.org

AI giant Anthropic’s first Australian data centre deal an “egregious” example of Big Tech double talk

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