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In Kenya’s Laikipia County where temperatures can reach as high as 30 degrees Celsius, a local building technology is helping homes stay cooler while supporting education, creating jobs and improving the livelihoods and resilience of community residents, Climate Home News found on a visit to the region.

Situated in a semi-arid region, houses in Laikipia are mostly built with wood or cement blocks with corrugated iron sheets for roofing. This building method usually leaves the insides of homes scorching hot – and as global warming accelerates, the heat is becoming unbearable.

Peter Muthui, principal of Mukima Secondary School in Laikipia County, lived in these harsh conditions until 2023, when the Laikipia Integrated Housing Project began in his community.

Nine of our best climate stories from 2025

The project uses compressed earth block (CEB) technology, drawing on traditional building methods and local materials – including soil, timber, grass and cow dung – to keep buildings cool in the highland climate. The thick earth walls provide insulation against the heat.

Peter Muthui, principal of Mukima Secondary School in Laikipia County, stands in front of classroom blocks built with compressed earth blocks (Photo: Vivian Chime)

Peter Muthui, principal of Mukima Secondary School in Laikipia County, stands in front of classroom blocks built with compressed earth blocks (Photo: Vivian Chime)

“Especially around the months of September all the way to December, it is very, very hot [in Laikipia], but as you might have noticed, my house is very cool even during the heat,” Muthui told Climate Home News.

His school has also deployed the technology for classrooms and boarding hostels to ensure students can carry on studying during the hottest seasons of the year. This way, they are protected from severe conditions and school closures can be avoided. In South Sudan, dozens of students collapsed from heat stroke in the capital Juba earlier this year, causing the country to shutter schools for weeks.

COP30 sees first action call on sustainable, affordable housing

The buildings and construction sector accounts for 37% of global emissions, making it the world’s largest emitter of greenhouse gases, according to the UN Environment Programme (UNEP). While calls to decarbonise the sector have grown, meaningful action to cut emissions has remained limited.

At COP28 in Dubai, the United Arab Emirates and Canada launched the Cement and Concrete Breakthrough Initiative to speed up investment in the technologies, policies and tools needed to put the cement and concrete industry on a net zero-emissions path by 2050.

Canada’s innovation minister, François-Philippe Champagne, said the initiative aimed to build a competitive “green cement and concrete industry” which creates jobs while building a cleaner future.

    Momentum continued at COP30, where the Intergovernmental Council for Buildings and Climate (ICBC) held its first ministerial meeting and adopted the Belém Call for Action for Sustainable and Affordable Housing.

    Coordinated by UNEP’s Global Alliance for Buildings and Construction, the council has urged countries to embed climate considerations into affordable housing from the outset, “ensuring the drive to deliver adequate homes for social inclusion goes hand in hand with minimising whole-life emissions and
    environmental impacts”.

    Homes built with compressed earth blocks in Laikipia (Photo: Julián Reingold)

    Homes built with compressed earth blocks in Laikipia (Photo: Julián Reingold)

    With buildings responsible for 34% of energy-related emissions and 32% of global energy demand, and 2.8 billion people living in inadequate housing, the ICBC stressed that “affordable, adequate, resource-efficient, low-carbon, climate-resilient and durable housing is essential to a just transition, the achievement of the Sustainable Development Goals and the effective implementation of the Paris Agreement”.

    Compressed earth offers local, green alternative

    By using locally sourced materials, and just a little bit of cement, the compressed earth technology is helping residents in Kenya’s Laikipia region to build affordable, climate-smart homes that reduce emissions and environmental impacts while creating economic opportunities for local residents, said Dacan Aballa, construction manager at Habitat for Humanity International, the project’s developers.

    Aballa said carbon emissions in the construction sector occur all through the lifecycle, from material extraction, processing and transportation to usage and end of life. However, by switching to compressed earth blocks, residents can source materials available in their environment, avoiding nearly all of that embedded carbon pollution.

    According to the World Economic Forum (WEF), global cement manufacturing is responsible for about 8% of total CO2 emissions, and the current trajectory would see emissions from the sector soar to 3.8 billion tonnes per year by 2050 – a level that, compared to countries, would place the cement industry as one of the world’s top three or four emitters alongside the US and China.

    Tripling adaptation finance is just the start – delivery is what matters

    Comparing compressed earth blocks and conventional materials in terms of carbon emissions, Aballa said that by using soil native to the area, the process avoids the fossil fuels that would normally have been used for to produce and transport building materials, slashing carbon and nitrogen dioxide emissions.

    The local building technology also helps save on energy that would have been used for cooling these houses as well as keeping them warm during colder periods, Aballa explained.

    Justin Atemi, water and sanitation officer at Habitat for Humanity, said the brick-making technique helps reduce deforestation too. This is because the blocks are left to air dry under the sun for 21 days – as opposed to conventional fired-clay blocks that use wood as fuel for kilns – and are then ready for use.

    Women walk passed houses in the village of Kangimi, Kaduna State, Nigeria (Photo: Sadiq Mustapha)

    Traditional knowledge becomes adaptation mechanism

    Africa’s red clay soil was long used as a building material for homes, before cement blocks and concrete became common. However, the method never fully disappeared. Now, as climate change brings higher temperatures, this traditional building approach is gaining renewed attention, especially in low-income communities in arid and semi-arid regions struggling to cope with extreme heat.

    From Kenya’s highlands to Senegal’s Sahelian cities, compressed earth construction is being repurposed as a low-cost, eco-friendly option for homes, schools, hospitals – and even multi-storey buildings.

    Senegal’s Goethe-Institut in Dakar was constructed primarily using compressed earth blocks. In Mali, the Bamako medical school, which was built with unfired mud bricks, stays cool even during the hottest weather.

    And more recently, in Nigeria’s cultural city of Benin, the just-finished Museum of West African Art (MOWA) was built using “rammed earth” architecture – a similar technology that compresses moist soil into wooden frames to form solid walls – making it one of the largest such structures in Africa.

    The post Earth blocks keep homes cool while cutting emissions in Kenya’s drylands appeared first on Climate Home News.

    Earth blocks keep homes cool while cutting emissions in Kenya’s drylands

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    Climate Change

    Commencement of NSW Forestry assessment a ‘chance to fix a broken system’ and deliver urgent forest protection

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    SYDNEY, Friday 18 September 2026 — In response to the Federal and NSW government’s announcement to commence an assessment of NSW forestry under the new national nature laws, Adele Chasson, Nature Policy Lead at Greenpeace Australia Pacific said:

    “This is the Federal Government’s chance to fix a broken system that has enabled the destruction of NSW’s precious forests for far too long.

    “Native forest logging continues to smash threatened species habitat. In NSW, it is pushing unique wildlife like koalas, greater gliders and glossy black cockatoos towards extinction. The state-owned logging agency has a disastrous record of environmental damage and breaches.

    “The Regional Forest Agreement (RFA) system has failed, allowing the industrial logging of special forests for decades across Australia with no oversight. Thankfully, the Federal Government has started the process to finally remove the logging industry’s exemption from national nature laws.

    “It’s time for the Federal Government to deliver the protection that forests urgently need, and that Australians overwhelmingly want. The Government must ensure a thorough assessment of the devastating impacts of native forest logging in NSW, and establish strong environmental rules that states must follow.

    “These forests have been cared for by First Nations people for tens of thousands of years. They are some of the most biodiverse on the planet, store carbon, clean our air and water. It’s critical we protect them.”

    ENDS

    Media contact:

    Kate O’Callaghan on 0406 231 892 or kate.ocallaghan@greenpeace.org

    Commencement of NSW Forestry assessment a ‘chance to fix a broken system’ and deliver urgent forest protection

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    Climate Change

    Furry Little Peach x Greenpeace

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    What happens when a love of marine life meets a playful imagination?

    Sydney artist, illustrator and children’s author Sha’an d’Anthes, better known as Furry Little Peach, has teamed up with Greenpeace to create Happy Ocean Happy Planet: a joyful celebration of the extraordinary creatures that call our oceans home.

    Sha’an felt inspired to create an illustration celebrating the beauty and resilience of marine life. Its hopeful message, A Happy Ocean is a Happy Planet, sparked a special collaboration with Greenpeace and a limited-edition t-shirt designed to help protect the oceans that inspired it.

    The exclusive Furry Little Peach tee is available as a gift to new regular Greenpeace donors who give $30 or more and make at least three donations. By becoming a regular giver, you’ll help Greenpeace campaign for ocean protection.

    Furry Little Peach Sha'an d'Anthes x Greenpeace

    ARTIST INTERVIEW: Sha’an d’Anthes (Furry Little Peach)

    Sha’an shares the story behind the artwork, the local marine creatures featured in the design and why hope can be such a powerful force for action.

    Hi Sha’an! Can you tell us a little about yourself and what you do?

    My name is Sha’an d’Anthes, I also go by the pseudonym Furry Little Peach and I’m an illustrator, artist and children’s author based in Sydney, Australia. I love creating joyful, vibrant and nostalgic art that looks at the world through the lens of childlike wonder.

    What do you love about drawing animals and nature?

    I love all of the different shapes, colour and narrative you get to explore when drawing animals and nature. I’m also a city-slicker these days, and so I think that my work is a sort of escapism (for myself and hopefully for my audience).

    How did the Greenpeace collaboration come about?

    I went to the premiere of David Attenborough’s documentary Ocean, and felt compelled to create something to share the message of the film. This t-shirt is actually based off of that illustration including the tagline in I included when I shared it “A Happy Ocean is a Happy Planet”. I’m so grateful Greenpeace approached me for the project – it was a blast.

    Where did you start when creating the Happy Ocean Happy Planet design?

    The Happy Ocean tee starts the same as all of my work – with a brainstorm/braindump and really loose concept sketches.

    How did you choose the animals for the illustration?

    I actually asked Greenpeace to help me with the research of local marine life and they were so accommodating. They very quickly delivered me a huge list of local species of fish, mammals and coral and I just went through and looked up each creature and curated a little group of sea life that I thought would look sweet together – a mix of sizes, types, colours, textures and shapes.

    What did you use to create the artwork?

    So much of my work is traditional, but when it comes to things like t-shirts I always use digital drawing programs because I like to draw each colour in a separate layer which requires me to jump in and out of layers because it allows me to control colour and printing. When working digitally I always sketch in Procreate (an Australian digital art app), and then with this project I created final art in Adobe Fresco because it called for a vector graphic (an image that can be blown up to any size).

    Do you have a favourite creature in the design?

    I love painting Humpback Whales and always have, but I also have a soft spot for the sweet little Jelly Blubber jellyfish.

    What did you want people to feel when they saw the artwork?

    I specifically wanted to focus on the outcome that all of us want to see – a happy, thriving ocean where creatures are given the time and space to balance themselves. I feel that even when tackling tough subjects, leaning into hope is my natural inclination. As long as we have hope that things can be better, we will continue to take action.

    What was the most fun part of creating it?

    I actually documented the entire process of this project in a studio vlog on YouTube – and you can see how much fun I’m having doing final art jumping between layers and building the image. I had just come off completing final art for two books which are multi-year long projects, so being able to do a project that from start to finish in just a few days was really freeing at the time.

    Watch Sha’an’s Full Vlog

    What does a “happy ocean” mean to you?

    An ocean that given the time and space to repair and balance itself. Something I really took away from David Attenborough’s Ocean is that ocean ecosystems are actually really good at repairing themselves if we just let them do their thing.

    How can people get their hands on the t-shirt?

    The shirt is a reward for regular givers to Greenpeace – those who commit to at least 3 months of donations will receive the tee as a gift. Read about how at http://act.gp/flp-tee

    How is Greenpeace helping to make our oceans happier places?

    They have a deep focus on the health and happiness of our oceans through advocating for the set up of marine sanctuaries, holding big ocean polluters to account and calling for a ban on deep sea mining.

    What are you working on next?

    I will be jumping headfirst into Peachtober – an annual daily art challenge I run each year in October, if there are any artists reading this it’s a great time so please come join! In terms of publications my next picture book The Late Bird will be out in February 2027 (published by Harper Collins US) and then I have an creative activity book for adults coming out next August with Chronicle US and Penguin Australia. Otherwise you can always check out what I’m tinkering away with in my studio on Instagram and YouTube.

    Furry Little Peach x Greenpeace

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    Climate Change

    AI giant Anthropic’s first Australian data centre deal an “egregious” example of Big Tech double talk

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    SYDNEY, Thursday 17 September 2026 — Greenpeace Australia Pacific has slammed AI giant Anthropic’s deal for its first Australian site in Queensland’s Western Downs, the heart of coal seam gas country, saying the project will entrench gas and turbocharge climate pollution.

    The expected electricity demand from the data centre site, situated in the middle of the Western Downs coal seam gas fields, is comparable to 1.5 million Australian households. Greenpeace’s report Energy Vampires: The AI data centres draining Australia called for a moratorium on frenzied data centre development until appropriate guardrails are in place.

    Joe Rafalowicz, Head of Climate and Energy at Greenpeace Australia Pacific, said: “This is an egregious example of Big Tech giants being given carte blanche to drain energy and water, and use polluting gas to fuel their hyperscale data centres.

    “AI and Big Tech corporations claim to bring new renewable energy to the grid, while blatantly planning to power their operations with polluting fossil fuels.

    Planning documents show the first stage of this behemoth project could be powered by ‘behind the metre’ gas — the same playbook AI companies have used in the US, leading to a 20% increase in climate pollution from electricity. Now these companies want to bring their cowboy plans to Australia and the Federal Government is allowing it.

    “If they plugged into the local grid, the power required would increase Queensland’s electricity grid emissions by around 6.6 million tonnes — an 18% rise. If they build their own gas-fired power plants, this will drive up Queensland’s emissions even more.

    “Billions of dollars are now pouring into a massive pipeline of proposed new data centres, of unprecedented size, being built at incredible speed across the country. Australians should be worried about the extreme lack of scrutiny being applied to these projects, and the corporations leading the data centre charge.

    “The data centre build-out is happening without the endorsement of the Australian people, yet we are the ones who will pay the price. We can not allow unchecked data centre expansion to derail our renewable energy transition, entrench gas and turbocharge climate pollution — that’s why Greenpeace has called for an urgent moratorium until appropriate guardrails are in place.”

    ENDS

    Media contact: Kate O’Callaghan on 0406 231 892 or kate.ocallaghan@greenpeace.org

    AI giant Anthropic’s first Australian data centre deal an “egregious” example of Big Tech double talk

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