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The Burning Earth is Yale history professor Sunil Amrith’s fifth book, and his first that focuses his academic eye on the climate crisis.

“As a citizen and then as a parent,” he says, “the climate crisis just became unavoidable in my mind.”

His first books, notably Crossing the Bay of Bengal and Unruly Waters, focused on the history of migration and ecology in Southeast Asia. The Burning Earth takes a global tack, covering the history of the climate crisis from hundreds of years ago, when the Industrial Revolution ignited the mass commodification of natural resources, to now, with the elimination of CFCs and recent climate tech. He sees history through the lens of human needs and desires, and specifically, the luxurious wants of a small slice of elites.

Sunil Amrith is the Renu and Anand Dhawan Professor of History at Yale University, with a secondary appointment as Professor at the Yale School of the Environment.

“The desires of a small elite, and the violent pursuit of inequality through empire, has turbocharged our impact on the planet,” Amrith says. As he writes in the prologue:

I can no longer separate the crisis of life on Earth from our concerns with justice and human freedom that inspired me to become a historian in the first place.

What is the main focus of the book?

The core question in The Burning Earth is really: How much is human freedom dependent on the destruction of our planet? I do not think that human flourishing necessitates the sheer and irreparable harm that we have done to our planet. I think a lot of that has been driven more by the desires and the consumption of a small elite amongst human beings.

You write about need, want and desire and how it relates to the climate crisis. How have those base human traits contributed to the climate breakdown?

I see two long-term paths towards our climate crisis. One is the story of human need. Food and shelter account for a significant part of our impact on the planet — the search for food and shelter, both of which are still very unequally accessed. And that is a long-term story, that the search for food contributes not just to greenhouse gas emissions, but overwhelmingly to biodiversity loss.

The second story we need to tell is that for at least 500 years, the desires of a small elite, and the violent pursuit of inequality through empire, has turbocharged our impact on the planet. It is the vast and disproportionate resources consumed by those with wealth and power in the world. Their identity has changed over time. For several hundred years, it was mostly Northern Europeans. And now that group of people is certainly much more distributed across the world.

You write in the book that elites looked at groups of people who are close to nature as being less human.

I think one of the questions we ask ourselves as we face this climate breakdown is, how did we ever come to believe that the health of the planet didn’t matter to all of us? And yet I think that there has been a period in global history where proportions of people around the world have acted as if it wasn’t true – that we could disregard the health of rivers and forests and simply consume at any rate we chose. That is a mentality that I do also associate with a mentality that imposes a hierarchy on other human beings.

If you look at, for example, the early colonization of the Americas, the language that the Iberian colonizers used to talk about Indigenous people is very often: they are close to nature. They are not fully human like we are. That legitimizes plunder and exploitation and violence, but it also legitimizes mass deforestation and extraction.

Was there any way, historically, to stop the inevitable march towards our climate crisis?

The motivations that are driving people to want to expand their lifespans, to improve the conditions and the security with which their families live – I never want to lose sight of those kinds of baseline human aspirations.

There are deep human dreams which you can see shared across cultures to simply want one’s descendants to have a better life, to want one’s family to continue. I do see that there is a progression in human beings’ ability and power to mold their surroundings, to make those surroundings more hospitable or more habitable for the human societies.

Then there are parts of the story which I think weren’t inevitable. There was nothing ordained about plantation production, for example, which is a very particular kind of cultivation which has to do with exploiting nature as quickly as possible for rapid gain. I think that is a very specific kind of innovation.

I think there are technologies that could have had multiple different kinds of uses. And what we’ve tended to see is that their use has been towards maximum extraction.

You write about silver mining and sugar plantations. How were these some of the earliest environmental catastrophes?

There’s no question that silver mining in the Americas was an environmental catastrophe, and we now have archaeological and genetic evidence that suggests just what a catastrophic impact that had on the health of workers. It was the use of mercury in extracting silver that was so devastating to both the landscape and above all to people’s health. That silver is at the root of what becomes a global economy.

One could probably make the argument that no single crop has caused greater harm than sugar both to human beings and to nature. Sugar began as a very, very rare luxury. It was treated as one of the fine spices in medieval Europe. And it’s only when you start to get large-scale plantation production combined with the social and economic transformations of early modern Europe that it becomes an item of mass consumption.

What effect did large scale steel and iron production have?

It’s largely a 19th century story. The age of industrialization coincides exactly with the fossil fuel era, because if we begin with coal in the second half of the 18th century, we start to see widespread use of coal first in England, then in northwestern Europe and in North America.

I think what changed more than anything else is scale – both the scale of resources that are needed for factory production, and the scale of impact that can be had. I think the story of the railroads is a classic example of this. One of my favorite works of environmental history is Bill Cronin’s book Changes in the Land, which shows how the city of Chicago really reshapes the entire American Midwest. And it does so through the rail lines. Suddenly, Chicago’s markets and exchanges become accessible. And that hastens the destruction of forests, that hastens the expansion of wheat production and monocrop production. And I think we see similar stories all over the world, which is what happens is that as people can travel further, as goods can travel further, you start to get global markets for commodities. And that pushes forward the commodification of nature, the idea that this is not a forest, this is timber, that shift in mentality.

You describe how the “war machine” is a mechanism of climate destruction.

That is the part of the book that was the biggest surprise to me. I did not expect that I would conclude that of all the forces driving climate breakdown, warfare is possibly number one. I think the two world wars came to strike me as being pivotal transformative moments, not just because of the scale of resources which went into both of those wars, but also because of the scale of destruction that those wars then made possible, culminating in atomic weapons by the end of the second world war.

Military emissions are not counted in most of our climate targets and most international contributions that have been agreed to. The best estimate we have is that military missions account for about 5% of greenhouse gas emissions, but that is a guess because we don’t know.

You write about the data project of 1957 and 1958, one of the first climate data projects. Tell me about the through line between that and the sheer amount of data we have now.

This is the International Geophysical Year, and it was this year that the Mauna Loa Observatory was set up in Hawaii, which is, to this day, sort of the gold standard that we have for measuring cumulative concentrations of carbon dioxide in the atmosphere. 

The Mauna Loa Observatory in Hawaii in 2008. Ken Dewey / University of Nebraska-Lincoln School of Natural Resources

This data came during the height of the Cold War. This project is drawing in countries from both sides, drawing in countries that don’t necessarily get along. This is the data that first makes us aware that we are living through a period of unprecedented climate change.

With the acceleration the amount of data today, does it not seem to reason that more data would help our imperiled planet?

More data is undeniably important to climate scientists as they make projections and formulate their models. But more data hasn’t necessarily led to more consensus. More data has not necessarily changed the overall narrative about climate change. I think the data is essential, but I’m not sure that we’re at a point where more data is going to change more people’s minds. Those are political questions, those are cultural questions, and those are much harder to shift.

Why won’t more – and better – data change more people’s minds?

Firstly, I think in the U.S. more than anywhere else, there has been a politically motivated skepticism of that data. We know that the fossil fuel companies have been directly involved in promoting that sort of distrust all over the world. We’re in a broader populist moment of distrust of expertise. That is one reason why I think more data won’t necessarily change people’s minds.

Another is that data is complicated, and the way in which climate scientists and other earth scientists think about uncertainty doesn’t necessarily translate very smoothly into broader general consciousness.

And finally, the data is sometimes on a scale that is just unfathomable for all of us, so detached from our everyday lived experience, that I think we need more translation. And maybe that is where a creative artist, or a novelist like the great Richard Powers, have had more impact on shifting people’s awareness and consciousness perhaps than more data.

As an educator at Yale, how did researching and writing this book change what you bring to the classroom?

I’ve been teaching environmental history for about 15 years. And there are classes I’ve taught where the questions students have raised, the projects they’ve done, the conversations we’ve had in the classroom have just stayed with me. So, it’s not just what I bring to the classroom, but really what I get from the classroom that is translated directly into this book.

I think we need to bring the environment into everything, not just into environmental history, but I think we need to be thinking about these questions across our humanities curriculum. I mean, in that sense, that’s partly what I was trying to do with The Burning Earth, which was to say, let’s not separate the environmental story from perhaps more familiar stories about the rise and fall of empires, about unfree labor, about migration, about global transformations. And I think more broadly, that’s what I would love to see happen, which is a kind of weaving in of the more-than-human, the planet, the ecology into how we study literature, into how we study philosophy.

Might one of the hopes of this book be for people to look at the world around them and to realize that everything that’s made here possibly comes from a place of environmental destruction?

I would love readers of The Burning Earth to make connections between the material that I present, especially that which is most unfamiliar in their everyday lived experience. My aspiration is not to make people feel guilty. Quite the opposite. I want to give readers the impression that everything is interconnected.

This is about looking at choices with a sense of hopefulness that that means that a shift in consciousness or new forms of collective action can bring about change and perhaps even bring about change quite quickly.

As a historian, any predictions for the future?

I think we are living through a period, you know, just this decade, I think, of such unpredictable change that I think there are so many different trajectories that could lie before us, some of them terrifying, and some of them more hopeful.

The post ‘Everything Is Interconnected’: Author and History Professor Sunil Amrith on Facing the Climate Crisis appeared first on EcoWatch.

https://www.ecowatch.com/sunil-amrith-interview-burning-earth-ecowatch.html

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Earth911 Inspiration: Love of Nature Transcends

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This week’s quote is from Jimmy Carter, the 39th president of the U.S., philanthropist, and environmental advocate: “Like music and art, love of nature is a common language that can transcend political or social boundaries.”

Earth911 inspirations. Post them, share your desire to help people think of the planet first, every day. Click the poster to get a larger image.

Love of nature quote from Jimmy Carter

This poster was originally published on February 7, 2020.

The post Earth911 Inspiration: Love of Nature Transcends appeared first on Earth911.

https://earth911.com/inspire/earth911-inspiration-love-of-nature-transcends-jimmy-carter/

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Outdoor Projects You Can DIY for Almost Nothing

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It always strikes us as amusing how many DIY projects you see online that seem to require more time and more money than it would take to simply buy the thing they’re trying to DIY in the first place. Are we missing the point?

We think that doing things ourselves and taking back the power to create instead of simply consuming is absolutely vital to the green movement. But if you don’t already have the materials and spend a lot of money purchasing craft supplies, does it really make sense to DIY?

These eight projects are true do-it-yourself masterpieces. One-of-a-kind outdoor projects you can make for almost nothing, with supplies you most likely already have or can easily pick up second hand for a song. Roll up your sleeves and let’s get started!

1. Teapot/Teacup Bird Feeder

Idea and photo credit: Dinah Wulf, DIY Inspired

Do you have one of Grandma’s old tea sets lying around that doesn’t quite fit into the sleek modern aesthetic you’ve been cultivating? Put it to great use by feeding the birds in your area — in style.

Thrift stores are always awash in old china, so if you don’t already have the old tea set, consider going wild and spending a few bucks for this DIY delight. You’ll find blogger Dinah Wulf’s instructions for the teacup bird feeder at DIY Inspired.

Safety note: Use sturdy twine or cord — not chain — to hang the feeder. Birds can catch their toes in chain links, which causes serious injury. The National Audubon Society also recommends cleaning seed feeders every two weeks (more often in hot, humid weather) by scrubbing with soap and water and soaking in a 50-50 vinegar-water solution to prevent the spread of avian disease.

2. Gardening Tool Storage

DIY rake gardening holder
Idea and photo credit: Beth Logan, Artstuff Ltd.

What on earth do you do with those rusty-as-heck, old-school garden rakes hanging around your garage? Well, if you’re any sort of DIY genius, you press them into service as a gardening tool holder.

The original inspiration for this project came from Beth Logan at Artstuff Ltd., whose blog has since gone offline. For a current walkthrough, see the Repurposed Rake Tool Rack tutorial at DIY n Crafts (project #14 in their roundup of 25 ways to reuse old garden tools). The concept is embarrassingly simple — remove the rake handle, mount the head tines-out on a fence or garage wall, and use the tines themselves as hooks for trowels, gloves, and pruners — but eye-catching enough to make you look like a DIY pro.

3. Bottle Tree

A bottle tree, image courtesy of Felderrushing.blog

Do you like wine? No, I mean do you really like wine? Do you want a reason to drink more of it? And does your garden need a cute border? This sustainable, upcycled garden border may be just the project for you. You might have to expand your drinking list to include bottles of various shapes, sizes, and colors — but variety is the spice of life.

When friends ask how you managed to collect so many bottles, just laugh gaily and then distract them with your dainty teacup bird feeder. The bottle tree tradition itself runs deep — Mississippi garden writer Felder Rushing traces the practice back through African American Southern folk art and, by his own research, as far as ancient Egypt and Mesopotamia. See his bottle tree gallery and history for inspiration, or jump straight to his how-to guide for building one out of a cedar snag, rebar, or just about anything else.

4. Colorful Outdoor “Tiles”

Painted Patio Tiles
Idea and photo credit: Elsie Larson, A Beautiful Mess

If your backyard isn’t perfectly landscaped and manicured, with an impeccably tiled “outdoor living space,” don’t despair. You can use up all those half-empty paint cans and create a Pinterest-worthy colorful backdrop for evenings spent clustered around a fire or barbecue.

Pop a few coats of paint on cement tiles and you have a one-of-a-kind flooring solution. If you rent, the same effect could be achieved on a more temporary basis by letting the kids go wild with sidewalk chalk and create a mosaic masterpiece. Check out Elsie’s Painted Patio Tiles at A Beautiful Mess for the back story on this DIY idea. (Heads up: the original author noted she had to touch up the paint each spring in Missouri winters — a porch and patio floor enamel will hold up better than wall paint.)

5. Home Sweet Gnome

Idea and photo credit: Jennifer Pilcher, Snapguide

Okay, this one might be the least practical idea of the bunch, but that may be why I love it oh so much. If you have a stump in your backyard and you’re not willing or able to pay the truly insane amount it costs to have it ground down and removed, how about making it into a little gnome home? This is the perfect outdoor project if you have small children in your life.

Construct the trappings of a little house — door, windows, winding garden path — from found objects or natural materials, and affix them to the stump. Bonus points if you don’t tell the kids about this particular DIY project and allow them to simply stumble upon it one day in the garden. My mind would have been blown if I had come across one of these as a seven-year-old. For a step-by-step build, see this Gnome Tree Stump Home tutorial on Instructables.

Safety note: Don’t use an angle grinder to gouge windows or doors into a stump. Use a chisel and mallet for shallow detail work, or attach decorative pieces (driftwood, bark, polymer clay) to the outside instead.

6. Mosaic Stepping Stones from Broken China

Image courtesy of Gardening.org.

Every household eventually accumulates a small graveyard of chipped mugs, a single survivor from a four-piece dinner set, or a beloved teapot with a hairline crack. Rather than tossing them — broken ceramics generally aren’t accepted in curbside recycling — embed them in concrete stepping stones for a garden path that’s genuinely one of a kind.

This pairs beautifully with the teacup project above: any teacups that don’t make it past Project #1 (you will break a few) can come back as paving. The DIY mosaic stepping stones tutorial at Gardening.org walks through the full process — breaking ceramics safely inside a drop cloth, sizing pieces to half-inch to one-inch fragments, pressing them into wet concrete, and sealing the surface so sharp edges don’t cause injury underfoot. Basic mold options include an old cake pan, a plastic plant saucer, or a purpose-built stepping stone form from a craft store.

Safety note: Wear safety glasses and heavy gloves when breaking ceramics. Once cured, run a finger over the surface to check for protruding edges and file or sand any down before placing the stone where bare feet might land.

7. Vertical Pallet Herb Garden

Shipping pallets are one of the world’s most abundant near-free materials. Small businesses, garden centers, and feed stores often have stacks of them out back, and asking politely beats the alternative of seeing them landfilled. Mounted vertically against a sunny wall or fence, a pallet becomes a stacked planter that holds enough herbs to keep a kitchen in basil, thyme, parsley, and chives all season.

Grit Magazine published a clear how-to for a vertical pallet planter — line the back and sides with landscape fabric or heavy plastic to hold soil, fill through the slats, and plant each gap as its own row. The gaps act as natural divisions, so different herbs don’t fight for the same root space.

Safety note: Use only heat-treated pallets for anything edible. Look for the IPPC stamp with the letters HT (heat treated) and avoid any stamped MB (methyl bromide — a fumigant restricted under the Montreal Protocol). Unstamped pallets are unknowns; skip them for food crops. The same heat-treated pallets are fine for ornamental flowers either way.

8. Punched Tin Can Lanterns

Steel food cans — soup, tomato, coffee — are one of the most recyclable materials on Earth, but the recycling-then-buying-something-decorative loop has plenty of slack in it. With nothing more than a hammer, a few nails of varying sizes, and the freezer, an empty can becomes an outdoor lantern that throws constellation patterns across a patio at dusk.

HGTV’s tin can lantern tutorial covers the trick that makes this project work: fill the can with water and freeze it solid before punching, so the ice supports the can wall and prevents denting. Sketch your pattern on paper, tape it to the frozen can, punch through with a nail at each marked dot, and let the ice thaw. Drop in a battery tealight (much safer outdoors than a real flame) and group them along a walkway or down the center of an outdoor table.

The Point of All This

None of these projects requires you to buy more than a tube of waterproof adhesive, a bag of concrete, or maybe a stepping stone mold. The materials — chipped china, leftover wine bottles, empty cans, a forgotten pallet, an old rake — are already in your house or someone else’s. That’s the point. The greenest project is the one that uses what already exists, and the best part is that yours will look like nobody else’s.

Editor’s Note: This article, originally authored by Madeleine Somerville on June 17, 2015, was updated with corrected links and new ideas in May 2026.

The post Outdoor Projects You Can DIY for Almost Nothing appeared first on Earth911.

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Best of Sustainability In Your Ear: Author Nadina Galle on The Nature of Our Cities

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More than half the world’s population—4.4 billion people—live in cities today. That number is expected to rise to 80% by 2050. Our guest, Nadina Galle, is a trailblazing ecological engineer and author of The Nature of Our Cities. She is an ecological engineer who studies the intersection of nature and technology in urban environments. Nadina developed the concept of an Internet of Nature (IoN) that uses tools like artificial intelligence, automation, and sensors to support and enhance ecosystems within cities. Nadina’s book offers a transformative perspective on how urban spaces can be reimagined in the face of climate change and sprawling development. She shares the inspiring story of the Groene Loper project in Maastricht, Netherlands, where soil sensors were deployed to monitor tree health. The results were remarkable, with trees supported by this technology growing up to three times larger than those without it. This is a powerful example of how technology can not only protect trees but also transform urban spaces into healthier, greener environments.

Nadina Galle, an ecological engineer and author of The Nature of Our Cities, is our guest on .

From fire and the wheel to the reinforced concrete frames that define modern buildings, we are surrounded by technology. We tend to forget that technology emerged in response to nature — too often, we treated nature as the enemy, the chaos to be contained instead of recognizing that nature’s cycles and changes are the harmony we need to join to sustain society. The loss of any semblance of natural patterns, which ultimately leads to the depletion of the resources necessary for life, has inevitably led to the collapse of previous major civilizations. Modern society has more runway than previous societies because we have created a global economy, but that risks an even greater fall for our species when the ecological underpinnings of our prosperity collapse. The Nature of Our Cities, is a powerful, straightforward, and emotionally resonant book to help you think through your role and choices in the restoration of nature. You can find it on Amazon or Powell’s Books.

Editor’s Note: This episode originally aired in December 2024.

The post Best of Sustainability In Your Ear: Author Nadina Galle on The Nature of Our Cities appeared first on Earth911.

https://earth911.com/podcast/earth911-podcast-nadina-galle-on-the-nature-of-our-cities/

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