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Isa Mulder is a policy expert on global carbon markets at Carbon Market Watch.

In recent months, industry players as well as some conservation groups have been pushing to effectively lower the integrity and ambition of carbon markets under Article 6 of the Paris Agreement.

However, the need to finance nature does not excuse creating a carbon crediting mechanism devoid of environmental integrity, just to keep carbon projects commercially viable. The bar set by the Article 6 crediting mechanism must be high, as the price that nature will pay if we opt to rely on hot air credits to offset ongoing emissions is much higher.

Carbon credit markets have been a controversial feature of international climate politics since the establishment of the Clean Development Mechanism under the Kyoto Protocol, and later adoption under Article 6 of the Paris Agreement.

Although the Article 6 rulebook was finalised at last year’s COP in Baku – albeit with many worrisome gaps – the nitty-gritty of its carbon crediting mechanism is still being developed. That work is overseen by the Supervisory Body (SBM), a de facto regulator accountable to the signatory countries of the Paris Agreement.

Permanence rules weakened

Between July and September 2025, the Methodological Expert Panel (MEP) – the technical advisory committee reporting back to the SBM – produced draft rules on permanence, intended to spell out the steps that carbon market projects must take to guarantee their emission reductions or removals are permanently and securely stored on climate-relevant timeframes (centuries to millennia).

The MEP’s final recommendation introduced requirements for carbon projects considered at risk of losing their achieved results. This included requiring projects to monitor their claimed mitigation until it could be reliably demonstrated that the likelihood of re-releasing sequestered CO₂ (e.g., carbon stored in trees) into the atmosphere was negligible, such as through events like fire or logging. In essence, high-risk projects would need to keep a watchful eye on emission reductions or removals for as long as that risk remains significant.

The rationale behind this is that carbon credits are often used for offsetting purposes as a means to supposedly compensate for ongoing fossil fuel emissions, of which the negative impacts are nearly permanent.

    It is therefore reasonable to expect that the carbon credits designed to compensate for this damage also guarantee positive impacts over a comparable duration. Failing to do so would mean that any apparent short-term benefits of offsetting would eventually become harmful and lead to net temperature increases, even before considering the broader environmental and social concerns related to offsetting.

    However, this seemingly sound rationale rubbed many market actors the wrong way.

    Whereas such documents typically attract only a handful of stakeholder responses, this one received over 170 reactions during the first and second rounds of consultations on the proposed rules.

    Carbon Market Watch found that in the second round, three-quarters of commenters held direct or indirect financial interests in carbon markets and most of them strongly opposed the draft requirements. Their efforts were successful, and, as a result, weaker rules were adopted.

    Carbon credits cannot save nature alone

    Now turning their attention to COP30, many of the same market actors, along with some conservation organisations, are asking countries to further erode the integrity of the carbon crediting mechanism under Article 6.

    Efforts to dilute these rules further risk derailing Article 6 at COP30, a conference which is meant to place nature front and centre. The misconception at the heart of this dangerous campaign is that stronger rules would negatively affect nature-based projects.

    While it is undeniable that financing nature is essential for reaching our Paris Agreement goals, the need to finance nature is no good reason to create a carbon crediting mechanism lacking in environmental rigour, motivated by market actors’ desire to keep carbon projects commercially viable.

    Is “hard-to-abate” really that hard – or is it a justification for delay?

    Those in favour of weakening the rules often seem to conveniently overlook that most credits approved and circulating have been of very low quality and that they are used – mainly by big oil – to excuse business-as-usual emissions.

    The scientific consensus holds that finance for nature must be scaled up to protect the natural world, but not by linking it to the offsetting of fossil emissions, whose climate impacts last for millennia. In fact, scientists have warned time and again about the serious shortcomings of relying on offsetting as a climate solution. If the credits used to compensate for fossil fuel emissions can’t make good on their promise, then climate change will worsen, and nature will end up being worse off.

    The choice ahead of us is clear. Countries at COP30 will have to make a decision on the direction of travel for this discussion. The question is not how to bend carbon market rules to create a financing mechanism for nature-based offsetting projects, but how to uphold and strengthen those rules to protect nature itself.

    The post Carbon market supporters risk cheating the nature they wish to protect appeared first on Climate Home News.

    Carbon market supporters risk cheating the nature they wish to protect

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    Commencement of NSW Forestry assessment a ‘chance to fix a broken system’ and deliver urgent forest protection

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    SYDNEY, Friday 18 September 2026 — In response to the Federal and NSW government’s announcement to commence an assessment of NSW forestry under the new national nature laws, Adele Chasson, Nature Policy Lead at Greenpeace Australia Pacific said:

    “This is the Federal Government’s chance to fix a broken system that has enabled the destruction of NSW’s precious forests for far too long.

    “Native forest logging continues to smash threatened species habitat. In NSW, it is pushing unique wildlife like koalas, greater gliders and glossy black cockatoos towards extinction. The state-owned logging agency has a disastrous record of environmental damage and breaches.

    “The Regional Forest Agreement (RFA) system has failed, allowing the industrial logging of special forests for decades across Australia with no oversight. Thankfully, the Federal Government has started the process to finally remove the logging industry’s exemption from national nature laws.

    “It’s time for the Federal Government to deliver the protection that forests urgently need, and that Australians overwhelmingly want. The Government must ensure a thorough assessment of the devastating impacts of native forest logging in NSW, and establish strong environmental rules that states must follow.

    “These forests have been cared for by First Nations people for tens of thousands of years. They are some of the most biodiverse on the planet, store carbon, clean our air and water. It’s critical we protect them.”

    ENDS

    Media contact:

    Kate O’Callaghan on 0406 231 892 or kate.ocallaghan@greenpeace.org

    Commencement of NSW Forestry assessment a ‘chance to fix a broken system’ and deliver urgent forest protection

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    Furry Little Peach x Greenpeace

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    What happens when a love of marine life meets a playful imagination?

    Sydney artist, illustrator and children’s author Sha’an d’Anthes, better known as Furry Little Peach, has teamed up with Greenpeace to create Happy Ocean Happy Planet: a joyful celebration of the extraordinary creatures that call our oceans home.

    Sha’an felt inspired to create an illustration celebrating the beauty and resilience of marine life. Its hopeful message, A Happy Ocean is a Happy Planet, sparked a special collaboration with Greenpeace and a limited-edition t-shirt designed to help protect the oceans that inspired it.

    The exclusive Furry Little Peach tee is available as a gift to new regular Greenpeace donors who give $30 or more and make at least three donations. By becoming a regular giver, you’ll help Greenpeace campaign for ocean protection.

    Furry Little Peach Sha'an d'Anthes x Greenpeace

    ARTIST INTERVIEW: Sha’an d’Anthes (Furry Little Peach)

    Sha’an shares the story behind the artwork, the local marine creatures featured in the design and why hope can be such a powerful force for action.

    Hi Sha’an! Can you tell us a little about yourself and what you do?

    My name is Sha’an d’Anthes, I also go by the pseudonym Furry Little Peach and I’m an illustrator, artist and children’s author based in Sydney, Australia. I love creating joyful, vibrant and nostalgic art that looks at the world through the lens of childlike wonder.

    What do you love about drawing animals and nature?

    I love all of the different shapes, colour and narrative you get to explore when drawing animals and nature. I’m also a city-slicker these days, and so I think that my work is a sort of escapism (for myself and hopefully for my audience).

    How did the Greenpeace collaboration come about?

    I went to the premiere of David Attenborough’s documentary Ocean, and felt compelled to create something to share the message of the film. This t-shirt is actually based off of that illustration including the tagline in I included when I shared it “A Happy Ocean is a Happy Planet”. I’m so grateful Greenpeace approached me for the project – it was a blast.

    Where did you start when creating the Happy Ocean Happy Planet design?

    The Happy Ocean tee starts the same as all of my work – with a brainstorm/braindump and really loose concept sketches.

    How did you choose the animals for the illustration?

    I actually asked Greenpeace to help me with the research of local marine life and they were so accommodating. They very quickly delivered me a huge list of local species of fish, mammals and coral and I just went through and looked up each creature and curated a little group of sea life that I thought would look sweet together – a mix of sizes, types, colours, textures and shapes.

    What did you use to create the artwork?

    So much of my work is traditional, but when it comes to things like t-shirts I always use digital drawing programs because I like to draw each colour in a separate layer which requires me to jump in and out of layers because it allows me to control colour and printing. When working digitally I always sketch in Procreate (an Australian digital art app), and then with this project I created final art in Adobe Fresco because it called for a vector graphic (an image that can be blown up to any size).

    Do you have a favourite creature in the design?

    I love painting Humpback Whales and always have, but I also have a soft spot for the sweet little Jelly Blubber jellyfish.

    What did you want people to feel when they saw the artwork?

    I specifically wanted to focus on the outcome that all of us want to see – a happy, thriving ocean where creatures are given the time and space to balance themselves. I feel that even when tackling tough subjects, leaning into hope is my natural inclination. As long as we have hope that things can be better, we will continue to take action.

    What was the most fun part of creating it?

    I actually documented the entire process of this project in a studio vlog on YouTube – and you can see how much fun I’m having doing final art jumping between layers and building the image. I had just come off completing final art for two books which are multi-year long projects, so being able to do a project that from start to finish in just a few days was really freeing at the time.

    Watch Sha’an’s Full Vlog

    What does a “happy ocean” mean to you?

    An ocean that given the time and space to repair and balance itself. Something I really took away from David Attenborough’s Ocean is that ocean ecosystems are actually really good at repairing themselves if we just let them do their thing.

    How can people get their hands on the t-shirt?

    The shirt is a reward for regular givers to Greenpeace – those who commit to at least 3 months of donations will receive the tee as a gift. Read about how at http://act.gp/flp-tee

    How is Greenpeace helping to make our oceans happier places?

    They have a deep focus on the health and happiness of our oceans through advocating for the set up of marine sanctuaries, holding big ocean polluters to account and calling for a ban on deep sea mining.

    What are you working on next?

    I will be jumping headfirst into Peachtober – an annual daily art challenge I run each year in October, if there are any artists reading this it’s a great time so please come join! In terms of publications my next picture book The Late Bird will be out in February 2027 (published by Harper Collins US) and then I have an creative activity book for adults coming out next August with Chronicle US and Penguin Australia. Otherwise you can always check out what I’m tinkering away with in my studio on Instagram and YouTube.

    Furry Little Peach x Greenpeace

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    AI giant Anthropic’s first Australian data centre deal an “egregious” example of Big Tech double talk

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    SYDNEY, Thursday 17 September 2026 — Greenpeace Australia Pacific has slammed AI giant Anthropic’s deal for its first Australian site in Queensland’s Western Downs, the heart of coal seam gas country, saying the project will entrench gas and turbocharge climate pollution.

    The expected electricity demand from the data centre site, situated in the middle of the Western Downs coal seam gas fields, is comparable to 1.5 million Australian households. Greenpeace’s report Energy Vampires: The AI data centres draining Australia called for a moratorium on frenzied data centre development until appropriate guardrails are in place.

    Joe Rafalowicz, Head of Climate and Energy at Greenpeace Australia Pacific, said: “This is an egregious example of Big Tech giants being given carte blanche to drain energy and water, and use polluting gas to fuel their hyperscale data centres.

    “AI and Big Tech corporations claim to bring new renewable energy to the grid, while blatantly planning to power their operations with polluting fossil fuels.

    Planning documents show the first stage of this behemoth project could be powered by ‘behind the metre’ gas — the same playbook AI companies have used in the US, leading to a 20% increase in climate pollution from electricity. Now these companies want to bring their cowboy plans to Australia and the Federal Government is allowing it.

    “If they plugged into the local grid, the power required would increase Queensland’s electricity grid emissions by around 6.6 million tonnes — an 18% rise. If they build their own gas-fired power plants, this will drive up Queensland’s emissions even more.

    “Billions of dollars are now pouring into a massive pipeline of proposed new data centres, of unprecedented size, being built at incredible speed across the country. Australians should be worried about the extreme lack of scrutiny being applied to these projects, and the corporations leading the data centre charge.

    “The data centre build-out is happening without the endorsement of the Australian people, yet we are the ones who will pay the price. We can not allow unchecked data centre expansion to derail our renewable energy transition, entrench gas and turbocharge climate pollution — that’s why Greenpeace has called for an urgent moratorium until appropriate guardrails are in place.”

    ENDS

    Media contact: Kate O’Callaghan on 0406 231 892 or kate.ocallaghan@greenpeace.org

    AI giant Anthropic’s first Australian data centre deal an “egregious” example of Big Tech double talk

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