What do you get when you cross kids with paintbrushes and a passion for environmental change? You get ‘artivism’ – a powerful blend of art and activism that can transform hearts and minds.
At Greenpeace, we are always inspired by the power of art to drive change and make a difference. We are thrilled to showcase the incredible ‘artivism’ from the students of Living School Lismore. These young artists have not only embraced the challenge of advocating for nature but have done so with creativity and passion that truly embodies the spirit of environmental stewardship.
Living School strives to offer educational opportunities that fosters and nourishes responsible citizens who make positive contributions to our world. The Middle School students engaged in Project Based Learning Units, exploring Sustainable Development Goals, real world application and a focus on halving our impact across six terms. After the second term, where all students in the school have an in-depth focus on ‘Nature’, they hosed a Nature Symposium – this year marks the second year of Middle School and their second symposium.
Last year, students developed innovations to halve environmental crimes occurring in schools. This year, they worked through the Catalyst Design Thinking Framework to respond to the evocation, ‘How can we advocate for nature through art-ivism?’. These artworks and artist statements were created over just two days, in a hack-a-thon style event, supported by a local artist, staff and cross stage groupings.
Inspiring Artworks by Students from Living School Lismore
“The students’ energy throughout the event was palpable, they are so confident in their determination to call out unsustainable practices which translated powerfully to the variety of artworks created.”
Emma Wilson – Year 8 Guardian Teacher, Living School Lismore

Evermore
Indigo and Jordy
This art piece is about SDG14: Life Below Water. It is about the environment and the future that is deserved. Not for humans, but for the nature and animals surrounding us. In this painting, you will see the animals clawing at the globe of a future that they not only want, but deserve. The globe is cracking and breaking to show that it could be close. And that the animals really need this. We are hoping this sends a message to the viewers, that society’s consumption is a big role in the prevention of the future for nature that has been tainted to something humans want.

We Choose
Stella and Marli
Pollution is slowly consuming our oceans and after a while, we will have nothing left. When we disrespect, we get left with less than we had before. ‘We Choose’ is our art piece that represents pollution and beauty. We see the ocean and think of it as an amazing place. But will it be in the future? This is what is happening to our world. We used brown to represent dirty liquid in the water, we used green to represent toxic fluids and pink because it represents the blood that will be on our hands if this continues.
We also used dots to represent the lives that will be lost. If this continues, this will be the path to humanity’s extinction. But if this stops, we will see the true beauty of this world. For the beauty, we used the sea creatures to represent how much marine life will be saved. We used the seaweed to show how much the plants under water will thrive. Be caring, love the planet.

Oil Spill
Strummer
This artwork, titled ‘Oil Spill’, addresses Sustainable Development Goal 14 and 15 which focuses on land and water. The artists chose to advocate for halving our impact to stop pollution.
This artwork highlights the critical role of art in raising awareness about environmental decline, resulting in the loss of animal, earth and plant life.
Through the use of various elements of art, the artist conveys the message of environmental awareness and stewardship. Contrasting colours are used to highlight the beauty of nature and its rapid demise.

Plastic Ocean
Kai
This artwork, titled ‘Plastic Ocean’, addresses Sustainable Development Goal 15 which focuses on marine life. The artist chose to advocate for halving our impact on the pollution of the environment. This highlights the critical role of art in raising awareness about environmental decline resulting in the loss of animal homes and lives. Contrasting colours are used to highlight the beauty of nature and draw the audience’s eye.

Eye to Eye
Marlon
This artwork, titled ‘Eye to Eye’, addresses Sustainable Development Goal 14 which focuses on cleaning plastics from the ocean and making the coral not bleached anymore. The artist chose to advocate for halving pollution. ‘Eye to Eye’ highlights the critical role of art in showing people the effects of pollution on our ocean and what we can do about it. By drawing the audience’s eye to the fish, the artist invites them to consider the importance of marine life. By positioning the contrasting elements of life and death around the outside of the eye, the audience is invited to consider our impact.

Wild Sea Turtles Consuming Jellyfish
Koco
My artwork depicts wild sea turtles consuming jellyfish but sadly, due to human impact, they end up ingesting plastic bags. The scene serves as a powerful reminder of humanity’s effects of pollution on marine life. It highlights the urgent need for sustainable practices to protect our oceans and the creators that inhabit them. By raising awareness through art, we can inspire others to take action and make a positive impact on SDG 14.

I Want In My World
Destin
The painting, ‘I Want In My World’ was created by a Living School student in Year 7 named Destin Pacanowski. The artwork addresses Sustainable Development Goal 14, which focuses on healthy creeks, lakes, oceans and rivers. Not only focusing on them being healthy but being full of life as well. The artist identifies halving pollution as a crucial step to mitigating the impact on ocean pollution.
This artwork underscores the critical role of art and raising awareness about climate change. Art-ivism has a unique ability to evoke emotions and provoke through in ways that words alone cannot. By visually depicting the effects of pollution and the major importance of sustainable practices, artists can engage viewers on a much deeper level, fostering empathy and understanding.
Through the use of various elements of arts, the artist conveys a message of environmental stewardship. Light and dark colours are embraced to show both sides of the situation in this artwork. The depth is used to show a dark night sky.
By promoting the message of reducing pollution, the artwork strives to inspire viewers to take immediate actions towards sustainability. Overall, this artwork shows a visual call to action. Embracing individuals to make continuous choices that will positively impact the environment and support those most affected by pollution all around the world.

Evacuations
Annika
This piece of artwork is called, ‘Evacuation’. It is named after what is bound to happen if we don’t change our ways. ‘Evacuation’ was carefully crafted by a proud Year 8 student of Living School. It was painted to represent the pollution Halve It goal and to evoke the 13th SDG, Climate Action.
This piece shows what we will do to nature, our home planet, it we continue down this path. The earth cannot combat our advanced machinery and corrupt wats, Nature has no weapon to fight. We pillage and plunder the very thing that gives us life. This picture is showing our fate. There is NO Planet B!
Through this art, with all its many dark shades, I wish to evoke something within the viewer, whether it is anger, sadness, pain or power, something to push them. Push them to speak for the speechless, stand for the sat, empower the powerless, because now is when our earth needs us most. If we don’t answer her call, all our fates will be sealed.

Mining Monsters
(Year 5 Student), (Year 6 Student), Lucy
This wonderful painting was created by three of the Living School’s amazing artists, (Year 5 Student), (Year 6 Student) and Lucy. Our SDG goal is number 14 – Life Below Water. Out artwork was inspired by the wonderful work that Greenpeace has done in relation to preventing deep sea mining.
The artwork explores the problem of deep sea mining where humans are wanting to extract the valuable natural resources that are found on the deep sea floor, which would destroy ecosystems that we don’t know much about yet. We are unsure of the impact this will have but prediction from the past example would suggest that this would have a negative effect.
We have used the element of shape to show that the machine is a monster to be feared of destroying sealife’s home. The element of colour has been used to show the bright life of the deep sea, even though you imagine it to be dark and frightening.
We hope our art-ivism helps the ecosystem of the deep sea to continue to thrive.

Burning Sunset
Year 5 Students
SDG 13: Climate Change/Stop burning fossil fuels
Halve It: Environment
This artwork show trees being burnt down. It shows birds dying and falling from smoke. It shows the forest turning into a desert under the setting sun.
The artist used red, orange and pink to show dryness and heat. Purple and green to show life that cannot be replaced. Black to show sadness.
The message of the artists: ‘This life can’t be replaced.’

One Day
(Year 8 Student), Allie
This work of art is called, ‘One Day’. It was made by a group of talented Australian students who attend Living School in Lismore, NSW. This art is based on SDG 12, Responsible Consumption and Production.
This art piece is about the pollution that could happen in the future and global warming. The rough state of the paint encapsulates this art piece, this distinct style showing how this matter is real. Using palette knives and plastic with acrylic paint is a match that many ised ut it hard to get right.
The elements of this art is the hape language and the depth of the deep ocean and the ice using shapes and depth, this art piece truly comes to life.
This art piece was made in protest of pollution that happens in the arctic, with grand glaciers and icebergs alike starting to melt, many may write about the diverse wildlife or the arctic circles. We hope that people realise how greedy and horrible some companies are.

The Weeping Orca
Eve, Pearl, Ashley
Three intelligent students from Living School, Eve, Pearl and Ashley, currently in Year 5 and 6, are the creators of this awesome art work. We chose SDG 14, Life Below Water. Our artwork is inspired by the National Wildlife Federation. Our Halve It focus relates to the environment.
Our artwork is intended to help the healthy orcas in captivity. Orcas are being removed from the natural environments and placed in captivity for the purpose of human entertainment. This is extremely distressing for the animals and it also affects the vital food chain. Humans need to stop taking healthy orcas out of nature and into captive homes.
We have experienced with dark contrast colours, different strategy of shade, intense levels of depth, layering different types of textures and elements that draws in the viewer and uts the viewer in the experience of the orcas in need. This is intended to make them sad.
We hope our art-ivism will make people step into action and stop people from captivating safe and healthy orcas from their natural habitats.
If we help the orcas, we save the orcas. Start acting now.

Beauty and the Barrel
Ari and Theo
This artwork, ‘Beauty and the Barrel’, was created by Ari and Theo at Living School who are in Year 5 and 8. The artwork addresses Sustainable Development Goal 14, which focuses on Life Below Water. The artist chose to advocate for halving water, which is a critical step towards minimising human impacts on water ecosystems. Oil spills and dumping oil can kill beautiful creatures in our sea, We are trying to look after our environment. We have strong feelings and are passionate for the ocean’s future.
We like fishing and snorkelling and observe amazing sea creatures. Now we see less fish, we are disappointed. Through the use of various elements of art, the artists convey a message of environmental compassion. Ocean colours make us feel calm and emphasis the beauty of the sea, the need to look after sea creatures in our hearts. Textures and a variety of colours emphasise the complexity of the ocean and its ecosystem. We have promoted awareness of keeping the ocean clean and pristine. Overall, this artwork serves as a visual recall for the urgency of rewilding and cleaning up the oceans and our planet.

Choose Your Fate
Teo, Stella and Siân
This artwork, ‘Choose Your Fate’ is by Teo, Stella and Siân of Living School Year 8 and Year 7. The artwork addresses Sustainable Development Goal 15 which is about Life on Land and Halve It Goal of environment. The artists chose to bring attention to deforestation and protecting animals.
This artwork conveys the importance of raising awareness about climate change through art. Art has a way to provoke thoughts that words alone can not do. By depicting the effects of climate change visually, you can give viewers a deeper level of understanding and empathy.
The amazing artists used line, shape, colours, texture and space to bring their painting to life. The artists focus on animal protection is shown through two extremely contrasting perspectives of a positive and negative environment.
The artwork hopes to inspire viewers to take action and protect life on our planet and minimise climate change. Due to the extreme and confronting views of the environment, the artists believe that this artwork can make a change.
Overall, this artwork encourages individuals to take action and make a positive impact on the environment to help save our home.

Our Touch
Jali and (Year 5 Student)
Do we choose rising oceans or rising actions?
‘Our Touch’ was created by two students at the Living School in Year 5 and Year 8. With the challenges of climate change becoming more apparent and the number of climate refugees increasing, this artwork advocates for Sustainable Development Goal 13, Climate Action. This artwork highlights the effects of rising sea levels caused by pollution, halving pollution is a vital step towards minimising climate change impacts.
The most visible meaning in this artwork is to raise awareness around rising sea levels. However, the underlying goal is to show people that one person can make big differences, especially in a time of crisis. The artists hope that ‘Our Touch’ brings the viewers emotions of empowerment through the uniqueness of art.
Elements of art are regularly used in this artwork. The vivid colour of the nail art draws attention to the disaster depicted. The dark sharp lines of the skyline give perspective and contrast against the vibrant but fading sun.
Promoting the message of halving pollution to reduce global warming and rising sea levels, this artwork is a form of art-ivism. With the hand decorated as the earth, the artwork hopes to show that climate change doesn’t just hurt one person, it hurts the whole world, and inspires everyone to take action.
In all, ‘Our Touch’, provides a visual call to action and empowerment. As the world continues on this negative downward spiral, we must come together to create an impact.

Earth Away
(Year 5 Student) and Sage
This artwork, ‘Earth Away’, was created by two students at Living School in Year 5 and Year 8. They address Sustainable Development Goal 13 which focuses on Climate Action. The artist chose to advocate for halving pollution which is a crucial step towards sustainability and a healthy environment.
The artwork, ‘Earth Away’, aims to promote awareness around climate action. Art has the unique ability to evoke emotions and inspire other artists. Through the use of various elements of art, blending lines, colour and texture, we promote the message of climate action. We tried to use the same colours as how they look in real life. We feel passionate about the future of our earth.
Overall, this artwork serves as a visual call to action, urging individuals to make conscious choices that will eventually help the earth if we all start now. We want to have a positive impact on our future.

Not a Perfect World
Rose, Lui, Vaan, Scarlet, Banksia
This artwork, ‘Not a Perfect World’, was created by five students at Living School in Year 5, Year 6 and Year 7. The artwork addresses Sustainable Development Goal 14, which focuses on Life Below Water. The artists chose to advocate for halving pollution, which is a crucial step towards the earth.
This artwork underscores the critical role of art raising awareness about climate change. Art has a unique ability to evoke emotions and make viewers feel passion about the painting. Through the use of various elements of art, blending the paint together and adding texture to our painting.
By promoting the message of the knowledge that there is too much pollution in the water and turtles are dying. Overall, this artwork serves as a visual call to action, uring individuals to make conscious choices that will help the environment to build a sustainable life.

Don’t Blame, Make Change
Archie and Max
The artwork, ‘Don’t Blame, Make Change’, was created by two students at Living School in Year 6. The artwork addresses Sustainable Development Goal 13, which focuses on Climate Action. The artists chose to advocate for halving pollution and waste which is a crucial step towards a healthy and sustainable ecosystems here on earth.
This artwork aims to provide awareness around critical concepts surrounding climate change and the health of our environment. Evoking emotion can be a difficult take to achieve but art can empower emotions.
Through the use of various elements of art, such as line, colour, shape and collage, we promoted the message of climate action and to stop pollution which will lead to a healthy and sustainable earth.
Overall, this artwork serves as a visual call to action, urging individuals to make conscious choices that will save the world.

Stop Being A Tosser
Linny
I created ‘Stop Being A Tosser’ with my own hand power alone. The artwork addresses SDG 6 which focuses on Clean Water and SDG 14, Life Below Water.
I chose water as my Halve It focus because I love the ocean and fishing. We will destroy the environment if we do not care for our oceans.
I have used colour to show depth and to draw attention to the issue of water pollution.
I aim to inspire viewers to save the waterways and stop being a tosser.

Wasted
Floyd and Sally
This artwork, ‘Wasted’, was created by Floyd and Sally, Year 7 and Year 8 students from Living School. We chose the SDGs 11, 13, 14 and 15 – Sustainable Cities and Communities, Climate Action, Life Below Water and Life on land. We chose to focus on pollution and environment in regards to Halve It.
We tried to evoke emotion through overwhelming the viewer with as many climate problems as we could.
Our clouds, oil and leaves are full of texture and the strong lines of the boat and buildings were designed to stand out.
Our aim was to inspire viewers to start being aware of themselves and to stop polluting and destroying the planet.

Fish Plastic Cycle
Toto and Theo
This artwork, ‘Fish Plastic Cycle’, was created by Theo and Toto, two smart Year 5 students from Living School.
The artwork focuses on SDG 13 and 14, which are Climate Action and Life Below Water. The Halve It focus is pollution and water.
We painted the cycle of throwing plastic in the water, the fish eat it, then we eat the fish.
We used elements of art to make the viewers feel emotions. We used bright colours for the plastic so it stands out. We also used big, simple shapes to create attention.
Through our artwork, we hope to inspire people to buy reusable products and not throw rubbish in the ocean.
Overall, this artwork aims to bring awareness to plastic pollution and how our actions always impact us.

More Rubbish, Less Life
Alexa and Kotomi
This artwork, ‘More Rubbish, Less Life’, was created by Alexa and Kotomi, two Year 5 students from Living School. The work addresses SDG 14 – Life Below Water and we chose to focus on Halve It – Environment.
We chose to paint a turtle half happy, half sad and what the ocean could be and what it is now.
We used colour, shade and hue to show the bright side and the dark side of this story.
Through our artwork, we hope viewers will know what the world could be if we actually tried.

I Scream, You Scream, We All Scream For Action!
Minnie and (Year 6 Student)
This artwork was created by Minnie and (Year 6 Student), a Year 8 and Year 6 students. We chose two Sustainable Development Goals, 13 – Climate Action and 4 – Quality Education. 13 was chosen to represent the melting ice caps killing polar bears. This is why we added the melting ice-cream, making a reflection for the earth and polar bear. 4 was chosen because it is crucial to teach everyone, especially our future generations, what is really happening to the world so that we can SCREAM for action. For Halve It, we chose environment because of our heating planet and melting ice cape.
The elements of art that we used were texture for the polar bear’s fur and rippling water. Colour to show shade and hues. All of this makes you stop and stare, inspiring the viewers to try and do something. Overall, this artwork aims to make you feel wonder and urgency to do something about our melting planet.

The Last Penguins
Loretta, (Year 8 Student) and Indi
The people involved in this creation are, Loretta, Lorien and Indi. We are addressing SDG 14, Life Below Water in this painting. Our Halve It focus is a cross between pollution and environment.
We have tried to evoke emotions in this painting by showing that the ocean is getting filled with things like oil spills, which in turn, is killing the penguins and sea life.
In the sky and the top of the wave, we have used texture, tone and colour to blend it and make it seem more real. We used very well defined shapes for penguins.
We aim to inspire viewers to donate to foundations like Sea Shepherd and Greenpeace and also to reflect on their own impact on the ocean ecosystem, which they don’t usually see in everyday life.
All in all, we aim to raise awareness of the oceans fate with this painting.

Deadfish Dominoes
Piper, Miles, Kasper, Wolfie
This piece of art titled, ‘Deadfish Dominoes’, was created by four Year 7 students, Piper, Miles, Kasper and Wolfie. This artwork was created to highlight the importance of SDGs 6 and 14. These foals focus on the health of water. 6 being Clean Water and Sanitation and 14 being Life Below Water.
This artwork showcases the disaster that took place in the Murray-Darling river, where thousands of Murray Cod floated up to the surface, dead due to the lack of oxygen. This piece also shows the steps that have been taken to get to this point. And the steps that may well be taken if we don’t change our course. Black water events, such as these, cause detrimental effects to the river, causing many plant and animal life populations to rapidly deplete, causing negative effects to the environment and sanitation of the water system.

Unstable Reality
(Year 8 Student)
This piece, ‘Unstable Reality’, was designed by a Year 8 students of Gudji. It is focused on SDG 13 Climate Action.
It shows how the world is majority industries and factories, even though we are working towards sustainability and renewables, it shows how the industry need to set fire to fossil fuels and eliminate greenhouse gasses for a greener, better world.

The Plale
(Year 8 Student)
This wonder of art was designed by a Year 8 students of Gudji at Living School. This follows a work of art-ivism of Sustainable Development Goal 14. Goal 14 is a goal dedicated to protecting and conserving our wildlife in the ocean. Many companies dedicated to work and volunteer to help them.
This texture of this artwork features a bumpy, raised body, showing that the body of the whale is made out of plastic. The background shows the polluted water because of our litter and machines. Leaving rubbish on our floor drains into our oceans and hurts our wildlife underwater.
This artwork has been through decent layers to create a shaping effect of the crumbling plastics qualities.

Ocean In A Bottle
(Year 8 Student)
This design was created by a Year 8 member of Gidji from Living School. This work of art is a work of art-ivism of SDG 14. Sustainable Development Goal 14 focuses on Life Below Water. Helping save animals and protect them from rubbish and our pollution.
This design shows our animals being trapped within our bad creations and fast fashion. Plastics like the plastic bottle the whale and jellyfish are stuck in is rubbish that has blown into our drains and washed into our oceans.
This shows materials from on land and the sea. To design this masterpiece, there were uses of paint brush strokes intricately placed to change the colours and placement of shape.

Gudji Fruit Farms
Flo
This artworks focuses on bees being killed by pesticides which is a huge problem. Bees are a huge part of life. They pollinate flowers which can bloom into fruit and vegetables. 1 in every 3 bites we get from bees. When people use pesticides and a bee lands on the flower, the pesticide infects the bee.
When the bee goes back to the hive, the entire hive can become infected, causing the bee keeper to burn the hive and all the bees inside to stop infection from spreading to other hives. Every bee who lands on a flower infected with pesticide is another life lost. You may think, so what if bees are dying? Well, as hive after hive dies, we, along with bees, creep closer to extinction.

Koala
Willow, Marley, Ryder, Banjo
We have made this artwork to show the impacts of climate change on species like koalas, mainly in southern and eastern Australia. Global warming can make bushfires that burn down koala habitats and more.
We are chopping too many trees.
Feral cats and dogs can kill native wildlife. There are unsustainable practices of forestry all around Australia.
If koala’s homes are burned or chopped down, it will force it to move to another home but what if there isn’t another home to go to and trying to get to another home means crossing roads so it could get run over?
Forestry corp has a history of doing some illegal forestry. They used to cut down habitats and trees! Why do these companies do this? We can have a house but by giving us a house you give native animals from Australia no house.

Split Rivers
Javier, Araluen, (Year 6 Student), (Year 5 Student)
This diptych artwork was made by four students from Living School in Years 5 and 6. We had two students working on each painting. We decided to split the image across two canvases to show the polarity between how the earth could be, and the way we are currently going.
Our art addresses both sustainable development goal 14 and 15, Life Below Water and Life on Land. They are linked because the health of the land impacts the water and the health of the water impacts the land. We wanted our audience to realise that our beautiful country can become a wasteland if we don’t take charge.
Overproduction of oil, chemical and rubbish pollution, land clearing and other unsustainable practices are destroying the health of our rivers. We want our artwork to inspire people to consider the effect of their choices on the land. If we don’t, we will all face the consequences.

The Silver River
Cooper
‘The Silver River’, by Year 5 student Cooper, addresses issues around waterway protection.
This artwork highlights the importance of SDG 14, Life Below Water because there is pollution and goodness.
This artwork uses glitter to add texture but also represents the glittery nail polish that impacts our waterways. It shows the oil pollution that coats animals in toxic oil forever. It also bleaches things and kills trees.
It also places importance on the Halve It goal of water, which we need to protect.
The use of lines show the flow of water.
We MUST stop the use of oil and production of cars, unless they are hybrid.
STOP WATER POLLUTION NOW!!

Fish-dom
(Year 8 Student) and Zai
This artwork was illustrated by to young 13 and 12 year old boys at Living School. The painting named ‘Fish-dom’ outlines the tench Sustainable Development Goal which focuses on Life Below Water, as in fish, crustaceans and other species of water animals and plants.
(Year 8 Student) and Zai decided to end up on Life Below Water because of the overfishing problems in Australian rivers and oceans.
Through the various elements of art and details of the painting, the illustrators centered the focus on the differences of sides, which is sustainable and unsustainable.

You Are Here
Molly and Indie
This artwork was created by Molly M in Year 5 and Indie H in Year 6. We created this artwork of a statue in Lismore in the floods. We chose it because we are sick of our community going through the same terror every year and seeing people lose so much while the government does so little. The floods of 2022 left hundreds of people homeless and some people lost family members and pets.
We want our community to understand how much rubbish we are dumping in our river and how climate change will make natural disasters words. We are commenting on SDG 13, Climate Action. We want to Singapore our leaders to realise how important it is to make change and make sure we don’t leave anyone behind.

Enclosed
Mia, (Year 7 Student) and Eavie
This artwork was created by Mia in year 7, (Year 7 Student) and Eavie in Year 8 from Living School. We are addressing waterways health and Sustainable Development Goal 14: Life Below Water. We created this artwork to show that keeping animals captive is not ok.
Removing them from ecosystems has a real negative impact on the planet, The real question is, why DO we keep animals captive? The answer is simple, for our own entertainment and greed. How would you feel is someone took you from your home where you were free to roam and put you in a tiny little box?
You aren’t just stripping the animals of a good life, you are disrupting the environment they were in. This artwork was designed to spread awareness about how the animals must feel, and make a statement about the impact of humanity’s greed.
Climate Change
Fossil-fuelled heat has caused tropical birds to decline by ‘up to 38%’ since 1950s
An uptick in heat extremes, driven by human-caused climate change, has caused tropical bird populations to decline by up to 38% since the 1950s, according to a first-of-its-kind analysis.
The study combines ecological and climate attribution techniques to trace the fingerprint of fossil-fuelled climate change on declining wildlife populations.
It shows that an increase in heat extremes driven by climate change has caused tropical bird populations to decline by 25-38% in the period 1950-2020, when compared to a world without warming.
The findings could help to explain why tropical bird numbers have declined even in pristine rainforests, a phenomenon that previously mystified biologists, the scientists say.
‘Chance encounter’
Over the past few decades, an emerging field of science known as “climate attribution” has used a standardised set of techniques to trace the fingerprint of human-caused warming on different elements of the climate system, ranging from worsening extreme weather events to episodes of glacier melt.
The new research, published in Nature Ecology and Evolution, is the first to use climate attribution techniques to detect the fingerprint of climate change on declining wildlife populations.
The study came about following a “chance encounter” between lead author Dr Maximilian Kotz, a climate scientist at the Barcelona Supercomputing Center in Spain, and his co-authors, who are biodiversity experts at the University of Queensland in Australia, while Kotz was completing a research stay in Australia.
Kotz says to Carbon Brief:
“As far as we are aware, this is the first animal climate attribution study.”
The researchers decided to focus on birds, rather than other animal species, as they have the “best available data, covering a good range of different species and geographies”, he adds.
Heat extremes
The authors examine how an intensification of heat extremes could have impacted bird populations, while controlling for other factors known to affect wildlife, including average temperature increase and human pressures, such as land-use change.
Episodes of extreme heat are known to have an immediate and long-lasting impact on birds, Kotz says:
“High temperature extremes can induce direct mortality in bird populations due to hyperthermia and dehydration. Even when they don’t [kill birds immediately], there’s evidence that this can then affect body condition which, in turn, affects breeding behaviour and success.”
Using statistical techniques, the scientists first analyse historical records to identify how bird populations have responded to fluctuations in climate, including heat extremes, over 1950-2020.
The team sourced global data on bird populations from the database that underlies the Living Planet Index, put together by the environmental charity WWF. They note it is the most comprehensive database available, but still has “clear geographic biases”, with global north regions better represented than those in the global south.
They use an attribution framework to estimate the extent to which human-caused warming influenced the changes in heat extremes observed in that time period, then calculate the impact of these climate-change-driven heat extremes on bird population changes from 1950-2020.
(The authors defined “heat extremes” as temperatures within the top 1% of daily temperatures over 1940-70, with data taken from ERA5, a global reanalysis dataset, which combines data from weather stations, satellites and model output.)
To understand how this would compare to a world without climate change, the researchers subtract this impact from the historical records.
Comparing their results to the counterfactual world without climate change allowed them to quantify how bird populations have changed as a result of human-driven increases in heat extremes.
Mapped
The research finds that human-driven heat extremes have had “strong negative impacts” on bird population numbers, with those residing at lower latitudes being the most affected.
The map below shows the percentage change in bird population abundance attributed to heat extremes over 1950-2018, when compared to a world without climate change.
On the map, dark red shows large decreases in population abundance, while light blue indicates small increases. (Abundance refers to the number of individual animals in a given population.)
The research finds that birds in the tropics have experienced the largest declines attributable to heat extremes.
It concludes that an uptick in heat extremes has caused tropical bird abundance levels to decline by 25-38% in the period 1950-2020, when compared to a world without warming.
The range in the size of that impact reflects the results of different models, which each use slightly different techniques to simulate changes to bird populations, Kotz says.
Tropical turmoil
In their paper, the authors note that their finding that tropical birds have experienced the most substantial declines are “consistent” with other studies indicating that “birds in these regions may be closer to the thermal limits at which impacts start to occur”.
They add that the findings are “particularly pertinent, given recent documentation of declining tropical bird populations, even in undisturbed habitats”.
One previous study found that in a “relatively undisturbed” part of the Amazon rainforest, bird abundance declined by more than 50% from 2003 to 2022. Similar results were found in a forest in Panama.
The authors of the new study say:
“The source of such declines have been noted as unknown, yet they are of a similar order of magnitude to our estimates of the impacts of intensified heat extremes.”
Their results suggest that “in tropical realms, climate change impacts on bird populations may already be comparable to land pressures that lead to habitat destruction and degradation”, the authors say.
This has “potential ramifications” for commonly proposed conservation strategies, such as increasing the amount of land in the the tropics that is protected for nature, they continue:
“While we do not disagree that these strategies are necessary for abating tropical habitat loss…our research shows there is now an additional urgent need to investigate strategies that can allow for the persistence of tropical species that are vulnerable to heat extremes.”
In some parts of the world, scientists and conservationists are looking into how to protect wildlife from more intense and frequent climate extremes, Kotz tells Carbon Brief.
He references one project in Australia which is working to protect threatened wildlife following periods of extreme heat, drought and bushfires.
Informing forecasts
As well as shedding light on what could be behind the rapid decline of birds in the tropics, the findings also underscore the importance of examining changes in climate extremes, rather than just annual global temperature rise, says Prof Alex Pigot, a biodiversity scientist at University College London (UCL), who was not involved in the research. He tells Carbon Brief:
“Most of the models that have been used to make projections of risk to biodiversity under future climate change use long-term climate averages and so the results of this study suggest that our existing risk assessments could be missing these critical impacts of climate change.
“We urgently need to address this and develop early warning systems to be able to anticipate in advance where and when extreme heatwaves and droughts are likely to impact populations – and also rapidly scale up our monitoring of species and ecosystems so that we can reliably detect these effects and feed this information back into our models to refine our future projections for biodiversity.”
Dr Peter Soroye, a biodiversity scientist at the Wildlife Conservation Society Canada, who was also not involved in the research, agrees:
“It’s not just that the climate is getting gradually warmer every year with climate change, it’s that climate change is also driving increasingly frequent and severe extreme temperature events that are putting wildlife at risk.
“As we more fully understand the importance of extremes, it seems increasingly important to consider them when we model or project changes in biodiversity over time.”
The post Fossil-fuelled heat has caused tropical birds to decline by ‘up to 38%’ since 1950s appeared first on Carbon Brief.
Fossil-fuelled heat has caused tropical birds to decline by ‘up to 38%’ since 1950s
Climate Change
COP experts: How could the UN climate talks be reformed?
This year marks a decade since nations successfully negotiated the Paris Agreement, a landmark treaty that has been the guiding force for international climate politics ever since.
Yet, with another round of negotiations looming at COP30 in November, there has been growing discontent with the UN climate process.
Critics say the talks are not doing enough to accelerate emissions cuts, tackle fossil fuels or raise climate funds for developing countries, among other concerns.
Influential figures in climate politics and civil society groups say COPs are in need of an “urgent overhaul” and have launched various manifestos for change.
This has been recognised by the Brazilian COP30 presidency, which has acknowledged the “growing calls for change” and asked parties to “reflect on the future of the process itself”.
All of this comes amid concerns about a “crisis” of multilateralism, widespread conflict and escalating climate hazards.
Carbon Brief asked 16 leading experts about how they think the UN climate talks could be reformed, including Christiana Figueres, Todd Stern, Prof Navroz K Dubash, Bernice Lee, Paul Watkinson, Dr Joanna Depledge, Dr Jennifer Allan, Sandrine Dixson-Declève and Li Shuo.
The contributors’ answers are presented via the thematic sections below.
- Has the Paris Agreement been a success?
- How could the negotiations themselves be improved?
- Can UN climate talks drive faster emissions cuts?
- How could COPs ensure broader accountability?
- Do UN climate talks need majority voting?
- What should the role of the COP presidency be?
- Do fossil-fuel companies have too much influence?
- Are COPs too big?
- How could COP participation be improved?
- How can COPs drive change outside the UN process?
Has the Paris Agreement been a success?
Todd Stern, former US special envoy for climate change: Paris has performed well in some respects, including strengthening both its temperature and emission goals in light of evolving science. It also led to a first global stocktake that called for tripling renewable energy and doubling energy efficiency by 2030 – and transitioning away from fossil fuels – in order to achieve net-zero emissions by 2050.
Bernice Lee, distinguished fellow and senior advisor at Chatham House: It can be hard to remember that the process remains one of the most successful multilateral endeavours in recent history. It has delivered what few thought possible: agreement among nearly 200 countries on a global issue that cuts to the core of national sovereignty, economic models and domestic politics. That the COP process delivered the Paris Agreement – and more recently, an agreement to transition away from fossil fuels – is no small feat. It is also easy to forget that, prior to Paris, the world was on track for a catastrophic 4-5C of warming. Today’s pledges, while still inadequate, have bent that curve closer to 2.5-3C – still unsafe, but a meaningful shift…Rather than dwelling on the system’s imperfections, the question is whether it can evolve, realistically and politically. Dismantling the current system is unlikely to yield a stronger or more equitable one with the authority to override national decisions. The current process, after all, emerged from the ruins of earlier failures.
Kaveh Guilanpour, vice president for international strategies at the Centre for Climate and Energy Solutions: In the aftermath of every COP, there are calls to reform the UNFCCC. But we should be aiming for an evolution, not a revolution, for three reasons. Firstly, a revolution would almost certainly not result in something stronger than we already have. It is hard to imagine that it would be possible to adopt the Paris Agreement in the current geopolitical and economic context. Secondly, the Paris Agreement is working, albeit not fast enough. Thirdly, and most importantly, the biggest barriers to the effective functioning of the UNFCCC and delivering on the Paris Agreement are deficiencies in the underlying politics. No amount of tweaking of the UNFCCC process can make up for that.
How could the negotiations themselves be improved?
Dr Monserrat Madariaga Gomez de Cuenca, environmental lawyer at Legal Response International: It is time to fully acknowledge that there is a crisis of trust in the UN climate process and take appropriate measures to limit it. Parties mistrust each other and stakeholders mistrust the limited results emerging from 30 years of climate talks.
Paul Watkinson, former EU climate negotiator: Whilst the negotiating process can be frustrating, it remains essential. I would focus on making the workload more manageable, for example by grouping items on agendas and organising work on a multiannual basis. The aim should be to give enough time to every item – rather than addressing everything together each time – and develop the understanding that not every item needs a negotiated outcome at each meeting.
Kaveh Guilanpour: [We should] embrace the role of multilateral negotiations at the core – and recognise that this is what attracts world leaders and non-parties to COPs – but work towards contextualising the negotiations in a wider ecosystem of climate action, to which they are clearly linked. Do not place all expectations only on the negotiated outcomes.
Christiana Figueres, former executive secretary of the UNFCCC: We could…streamline repetitive and overloaded agendas – and elevate the accountability of COP presidents through a public oath of office, potentially administered by the UNFCCC bureau, that reminds the COP presidency of its role.
Dr Joanna Depledge, research fellow at the University of Cambridge and former UNFCCC secretariat staff member: Overall, the negotiations have proved resistant to anything but very limited reform. Why so? The fact is that many of the perceived inefficiencies are not flaws as such, but inherent to a global process where all nations are sovereign and equal – and all want a say. They are also inherent to the very issue of climate change, which, because it is so multifaceted…inevitably spawns an ever-expanding agenda, while attracting ever more government and civil society participants. And process is politics: moves to restructure the negotiations inevitably come up against powerful forces who know how to maximise their influence in the existing system and far prefer the status quo.
Dr Monserrat Madariaga Gomez de Cuenca: [COPs should] avoid rushed, closed-door negotiations without party consultations, which make implementation impossible. When draft text appears in the eleventh hour and is forwarded to the closing plenary without proper discussion, the possibilities of parties gaslighting each other on the actual “meaning” and “intention” of the text multiply. Language such as “transitioning away from fossil fuels” or the path towards the “Baku to Belém Roadmap to $1.3tn” – where the wording is not clear – allows parties to cherry-pick the most favourable interpretation, undermining the implementation of decisions that were already difficult to achieve.
Dr Joanna Depledge: Streamlining agendas and limiting government delegation size are worth fighting for, but imposing criteria for selecting COP hosts and excluding private companies involved in high-carbon activities are non-starters. If the real problem is that the COP is not taking decisions in line with the science, then the answer is not tinkering around the edges of procedure and process. What is needed is a major strategic rethink and more fundamental reforms – notably to decision-making practices and voting – as I argue elsewhere.
Harjeet Singh, founding director at the Satat Sampada Climate Foundation: The process must change: streamline negotiations, review consensus rules and ban fossil-fuel lobbyists from influencing texts. Centre the voices of Indigenous peoples, frontline communities and civil society. And scale up public climate finance to enable a just transition and real support for adaptation and addressing loss and damage – by making polluters pay. The recent International Court of Justice advisory opinion has reinforced the demand for climate reparations. COP30 must open a new era of accountability and justice.
Can UN climate talks drive faster emissions cuts?
Dr Jennifer Allan, senior lecturer in international relations, Cardiff University: The UNFCCC is only as effective as parties allow it to be. The Paris Agreement is working precisely how some feared and how some major emitting countries hoped. It is premised on the promise of transparency: that national reports and the global stocktake, coupled with principles of progression, will – somehow – inspire climate ambition. But transparency is not the same as accountability.
Todd Stern: The Paris regime itself has an important role to play. For starters, the regime needs to develop much more of a broad partnership in the spirit of the 2015 High Ambition Coalition. Part of such a shift will depend on considering whether country emission targets are adequate. Of course, Paris was built on the principle of “nationally determined contributions” and that principle cannot be thrown overboard. But Paris was also built on the promise that it would strive to prevent dangerous climate change, that new emission targets every five years would reflect countries’ highest possible ambition and that global stocktakes would, in fact, take stock.
Claudio Angelo, head of international policy at the Climate Observatory: The “nationally determined” nature of nationally determined contributions (NDCs), and the fact that no assessment of progress is formally done outside the five-year period of the global stocktake, mean that the ambition gap will become more difficult to close the more urgent it becomes to close it. The irony of it is that the Paris architecture was tailor-made to accommodate the idiosyncrasies of the US, which has pulled out of the agreement anyway.
Prof Navroz K Dubash, professor of public and international affairs at Princeton School of Public and International Affairs: A bumper sticker for reform of the UN climate talks might read: “Less talk of ambition; more action on implementation”. An “ambition-first” approach rests on extracting national statements of emissions reduction intent, leveraging these up through country “naming and shaming” and strengthening compliance through enhanced accountability. But the conditions are not favourable for this approach. National politics rarely privilege emissions reductions over other objectives and global politics is increasingly non-responsive to climate shame. By contrast, the conditions for a “learning-by-doing” approach based on on-the-ground implementation appear brighter. Many countries are experimenting with pragmatic efforts to turn their economies in low-carbon directions.
Todd Stern: There is nothing about the nationally determined character of country pledges that says countries cannot be questioned, prodded and critiqued. Protecting thin skin is not as important as protecting a liveable world.

Prof Navroz K Dubash: How might global talks enable learning by doing, rather than doubling down on ambition-first approaches? NDCs could be liberated to be templates for experimentation rather than rigid bases for accountability alone. Detailed sectoral low-carbon development pathways would highlight country commonalities, reveal productive scope for international cooperation and incentivise finance…A renewed international process should be focused on the hard, detailed work of enabling low-carbon, resilient development transitions and less on extracting statements of intent.
Kaveh Guilanpour: [We should] move to an approach where progress is measured predominantly by the impact of implemented national level policies, not NDCs on paper. Focus as much on enhancing international cooperation to deliver implementation as on increasing formal ambition on paper through NDC target-setting.
How could COPs ensure broader accountability?
Paul Watkinson: The biggest opportunity to support implementation is outside the formal process, putting order and structure into the “action agenda”. It has grown enormously in recent years and there have been many valuable initiatives…But there has been insufficient continuity and not enough follow-up and tracking to ensure that what is announced and promised is delivered. That is why I welcome the proposal of the incoming Brazilian COP30 presidency to structure the action agenda around six broad themes, drawn from the outcomes of the global stocktake, including a cross-cutting theme around enablers including the vital role of finance. They have the power, in close coordination with the high-level champions, to relaunch the action agenda on stronger foundations that could serve for years to come.
Dr Jennifer Allan: Within the negotiations, there is a glaring need to track the many commitments made outside of the regular negotiation process, either in presidency-led declarations or cover decisions. A central, publicly available hub needs to collate these promises and track progress. Presidencies may broker these commitments, but have few incentives to follow up on them.
Bernice Lee: What can – and must – change is how the system functions. Every decade or so, the climate regime has adapted – from Kyoto’s top-down legalism to Paris’s nationally determined flexibility. These shifts were not just philosophical, they also enabled new capacities. The collapse in Copenhagen helped catalyse renewable energy investment plans, while Paris introduced NDCs. The next phase must embed delivery and equity more deeply into the process including, for example, mechanisms aligning corporate transition plans with country transition, national policies and sectoral pathways. The outcomes of any reform process should mean fewer theatrics, earlier decisions and sharper accountability. All of this would enhance not only country but also public engagement, as well as the credibility of the global climate process.
Harjeet Singh: Rather than catalysing ambition, the Paris Agreement has been used by developed countries to shirk their historical responsibilities…It is not the Paris Agreement or the UNFCCC that failed – it is rich countries that undermined the system to protect polluters and preserve an unsustainable growth model. True reform begins with accountability. Wealthy nations must be held responsible for their historical emissions and must pay for the loss and damage they have caused.
Sandrine Dixson-Declève, honorary president at the Club of Rome and executive chair of Earth4All: Strengthen climate target enforcement through scientific oversight, peer review and robust reporting – ensuring governments, COP presidencies and corporations are held accountable. [There should be] a permanent scientific advisory body within the COP. Science must be central to negotiations, with all delegations regularly briefed on the latest data around risks, equity, solutions and scenarios.
Prof Navroz K Dubash: Ambition and implementation can be complementary, but they are not necessarily so. The former is driven by a relentless focus on emissions, comparability in emission pledges and building accountability. The latter is enabled by linking climate to other objectives, seeking country-specific formulations that buy political support and flexible experimentation that allows for learning from failure. Being more, not less, in the sectoral weeds might reveal opportunities not apparent from the stratospheric heights of climate negotiations. Well-developed, home-grown visions of sustainable futures are the most robust basis for developing countries’ legitimate claims for finance and other support.
Do UN climate talks need majority voting?
Erika Lennon, senior climate attorney at the Centre for International Environmental Law: Voting is the elephant in the room. The parties to the UNFCCC have never been able to adopt the “rules of procedure” because they cannot agree on the provision related to voting in the absence of consensus. Instead, they proceed meeting after meeting using them as “draft rules of procedure”. This has created a race to the bottom whereby countries that want to stall progress can do so. For 29 years, other parties have had to agree to the lowest common denominator in the name of consensus.
Claudio Angelo: The decision made in 2023 to “transition away from fossil fuels” needs both fleshing out and monitoring, but it is nowhere to be seen in the formal negotiations towards Belém. Such omissions reflect one fundamental problem of the UNFCCC and one fundamental flaw of the Paris Agreement: the consensus rule. Some countries are now shamelessly backtracking on their previous commitment and saying that any mention of cutting back on fossil fuels anywhere is a red line for them…A handful of countries are holding the future of humanity hostage because they can block whatever they want [due to the consensus rule]. Even COP presidencies that do want to move the agenda forward are afraid to be bold, lest “the process should collapse”. But a process that is unfit for purpose might as well collapse.
Christiana Figueres: In the context of the formal negotiations, we could reconsider our tradition of having to adopt all decisions unanimously. UNFCCC procedures require consensus for the adoption of decisions, not necessarily unanimity. The difference is important and admittedly challenging to manage, but worth examining.

Erika Lennon: The fix would be to adopt the rules of procedure, including the paragraphs on voting. The UNFCCC would then join many other multilateral environmental agreements – and its own financial instruments – that sometimes use majority voting.
Bernice Lee: In recent months, many well-meaning critics have called the UN multilateral climate process broken, arguing it should be dismantled and replaced, but with no viable alternatives waiting in the wings. Reforming core procedures – such as introducing majority voting or amending the convention – would require agreement from three-quarters of countries, followed by domestic ratification. Even without today’s fractured geopolitics, this would be a tall order.
What should the role of the COP presidency be?
Dr Monserrat Madariaga Gomez de Cuenca: [COPs should] avoid adding more pressure by clarifying duties and processes for the COP president. Rules of procedure simply give the COP president the power to formally conduct the negotiations, which should be done in a neutral manner. Increasingly, we see COP presidents setting exceedingly ambitious plans for their respective COPs. Ideas of “success” and “legacy” permeate what should be a facilitative role towards the collective progress of UN climate talks. COPs finish with statements and reports of achievements that do not reflect the actual progress. Reviewing the conduct of negotiations and the role and expectations of COP presidencies could help in restoring some of the damaged trust in the process.
Prof Thomas Hale, professor in public policy at the University of Oxford: The “action agenda” needs to escape the “boom-bust” cycle that shifting presidencies and high-level champions have imposed on it, in which new announcements trump delivery. The COP30 presidency has laid out a positive approach here, but the acid test lies in making it real.
Sandrine Dixson-Declève: Only countries with high climate ambition should be eligible to host COPs.
Li Shuo, director of the China Climate Hub at the Asia Society Policy Institute: Instead of – or alongside – three more paragraphs specifying how the world will “transition away from fossil fuels” or “triple renewable energy”, how about three renewable projects in the COP host country, to be announced in conjunction with the climate summit?…Efforts to advance the implementation agenda through additional multilateral rulemaking and COP decisions risk missing the point. The COP presidency…could showcase a handful of large‑scale renewable energy projects in their own countries, backed by concrete financing. Such a “trade fair” function of the COP would help bridge the widening gap between what is agreed at COPs and what is happening on the ground.
Do fossil-fuel companies have too much influence?
Erika Lennon: The fossil fuel industry’s survival depends on the UNFCCC’s failure, as meeting the goals of the UNFCCC and Paris Agreement undeniably means phasing out fossil fuels. It is therefore no wonder that, since the beginning, fossil-fuel industry lobbyists have been present at COPs and working to undermine ambition.
Dr Jennifer Allan: Presidencies have much to answer for and can be key to raising accountability. COP is becoming the new Davos: a place for billionaires to meet, without scrutiny of their activities or announcements. This must end. Presidencies should revoke invitations to [Amazon chief executive] Jeff Bezos and others who have been offered high-level platforms.
Erika Lennon: Parties could adopt a conflict-of-interest policy to, at the very least, make [fossil-fuel lobbyists’] influence transparent and subsequently exclude those who aim to unduly influence the process. Parties, including the presidency team, could refuse to give them badges…In addition, they could end greenwashing at COPs in the form of corporate sponsorships and pavilions.
Are COPs too big?
Prof Thomas Hale: COP is both too big and too small for an era of implementation. Its cost and complexity eat up scarce resources. Meanwhile, it creates a gravity well that warps the climate community’s work into an annual rush to the end of the year…At the same time, even the biggest COPs are puny compared to the problem. Climate change demands action from all of society…In this complex system, the UNFCCC process plays the critical function of setting agendas and goals. No other body has the multilateral legitimacy to serve as a lighthouse.
Dr Jennifer Allan: Climate summits could shift from a talkshop to a demonstration of leadership if invitations are only extended to countries that have submitted and maintained more progressive NDCs and are implementing them.
Prof Thomas Hale: We need COPs to be everything, everywhere, all at once. Alongside a single, two-week meeting in one place, we need lots of smaller, focused meetings in many places. Instead of an intergovernmental process that talks about action, we need to fully shift the “action agenda” into the heart of the UNFCCC. The good news is that the elements of this shift are already well in motion, with more and more cities hosting “climate weeks”…Regional meetings with more flexible formats reach more people, in a more targeted way, much more cheaply and efficiently than a COP.

Dr Jennifer Allan: I’ve been researching the role of side events, pavilion activities and Global Climate Action Hub panels in the “expo” that now dominates COP space and participation opportunities. There has been a decided shift, from a smaller number of events focused on negotiation and implementation to a huge array of panels showcasing new initiatives or national actions. It is about what is new, not following up on what has been agreed. Side events and Global Climate Action Hub events could shift focus under the secretariat and the high-level champions. Pavilion spaces could be reserved for those who can demonstrate that their presence will advance climate action.
Sandrine Dixson-Declève: COPs must evolve from negotiation-heavy forums to more frequent, smaller, solution-focused meetings centred on progress and implementation, with broad stakeholder participation.
How could COP participation be improved?
Erika Lennon: Civil society, youth, Indigenous peoples, women, local communities and people with disabilities, among others, have increasingly faced shrinking civic space in the UNFCCC process. They have to fight to have their voices heard, to be present in the rooms where decisions happen, for access to information and open decision-making, and to assemble peacefully.
Shreeshan Venkatesh, global policy lead at Climate Action Network International: Structural barriers…undermine inclusivity and equitable participation in UNFCCC meetings, from the high cost of accommodation at COPs to discriminatory visa practices and shrinking civil society quotas. These barriers must be dismantled to ensure all parties and stakeholders can participate fully and on equal terms.
Erika Lennon: Parties should incorporate and support participation not only at COPs, but also in climate action and decisions on the ground. They can do this by creating space across all agenda items to hear from rightsholders and ensuring human rights and civic space are guaranteed during all negotiations.
Shreeshan Venkatesh: Civic space and freedoms are under threat, even at COPs. Host agreements must guarantee freedom of speech, assembly and accessibility, backed by an independent body to address violations.
How can COPs drive change outside the UN process?
Sandrine Dixson-Declève: COP must transform from a forum of negotiation to a platform of delivery, inclusion and accountability, anchoring climate action in the lived realities of people and the demands of science.
Kaveh Guilanpour: There should be a thorough and honest analysis of the value add of the UNFCCC process and what is best left to other fora.
Christiana Figueres: While some negotiations remain necessary, the most urgent action has shifted to implementation in the context of market forces and climate economics. There is no doubt that civil society, businesses, cities and communities are moving faster than governments. These actors, traditionally considered and labelled as mere “observers” in the formal UNFCCC space, have become the true engines of transformation. One could consider the pros and cons of creating a semi-detached “real world” space alongside COP – one that amplifies their progress, showcases innovation and feeds actionable insights back into the formal process.
Todd Stern: The Paris regime has a role to play in encouraging and tracking strong action outside its purview. This includes the public and private sectors working together on rapid decarbonisation and on unlocking the kind of large-scale investment needed for countries in the global south to build sustainable and resilient economies.
Shreeshan Venkatesh: The UNFCCC, and other multilateral fora that have become central to the formulation and implementation of climate policy and international cooperation, must align with international law. This includes the recent advisory opinions from the ICJ and the Inter-American Court of Justice, and the obligations they clearly lay out.
Claudio Angelo: [There is] a final, bigger problem, which no UNFCCC reform can solve: the climate regime is a child of the democratic world order and the lynchpin of that world order has become a rogue state. The rise of the far-right and the erosion of democracy are rendering multilateralism itself useless – a world that is unable to stop genocides in Gaza and Sudan can’t solve the climate crisis.
The post COP experts: How could the UN climate talks be reformed? appeared first on Carbon Brief.
Climate Change
Analysis: Record UK wildfires have burned an area twice the size of Glasgow in 2025
Wildfires have scorched more than 40,000 hectares of land so far this year across the UK – an area more than twice the size of the Scottish city of Glasgow.
This is already a record amount of land burned in a single year, far exceeding the previous high, Global Wildfire Information System (GWIS) data shows.
It is also almost four times the average area burned in wildfires by this stage of the year over 2012-24 – and 50% higher than the previous record amount burned by this time in 2019.
The burned area overtook the previous annual record in April, BBC News reported at the time, and has continued to soar in the months since.
Major wildfires
The chart below shows that UK wildfires in 2025 so far have already burned by far the largest area of land over any calendar year since GWIS records began in 2012. The previous record year was 2019, followed by 2022, while 2024 saw the lowest area size burned.

Annual land area burned by wildfires across the UK from 2012 to 2025 (red), alongside the average area burned each year over 2012-24. Source: Global Wildfire Information System.
Climate change can increase the risk and impact of wildfires. Warmer temperatures and drought can leave land parched and dry out vegetation, which helps fires spread more rapidly. Climate change is making these types of extreme conditions more likely to occur, as well as more severe.
Fire services in England and Wales responded to 564 wildfires from January to June 2025 – an increase from 69 fires in the same period last year, the National Fire Chiefs Council (NFCC) said in a statement in June.
Most wildfires in the UK are caused by human activity, whether accidental or deliberate, according to the NFCC. Some common ignition sources are disposable barbecues, lit cigarettes and campfires.
Jessica Richter, a research analyst at Global Forest Watch, says that, while fires are also a key part of some ecosystems, climate change is the “major driver behind the increasing fire activity around the globe”. She tells Carbon Brief:
“As we see more fires, we’re going to see more carbon being emitted and that’s just going to be, for lack of a better phrasing, adding fuel to the fire.”

Examples of 2025 wildfires around Galloway (1) and Inverness (2) in Scotland, and a wildfire in Powys (3) in Wales. Source: FIRMS, MapTiler, OpenStreetMap contributors.
The UK has also recorded its highest-ever wildfire emissions this year, according to Copernicus, which was “primarily driven” by major wildfires in Scotland from late June to early July.
These were the largest wildfires ever recorded in the country, reported the Scotsman. They “ravaged” land in Moray and the Highlands in the north of the country, the newspaper added.
Scotland experienced an extreme wildfire in Galloway Forest Park in April, which was “so intense it could be seen from space”, the Financial Times said.
Elsewhere, in April, the Belfast News Letter reported that firefighters tackled almost 150 fires on the Mourne Mountains in Northern Ireland.
More recently, BBC News reported that firefighters in Dorset, England received “non-stop” wildfire calls in the first weekend of August, with one blaze “engulf[ing] an area the size of 30 football pitches”.
Wildfires have also caused devastation across many parts of Europe in recent weeks – including Albania, Cyprus, France, Greece, Spain and Turkey – as well as in the US and Canada.
The post Analysis: Record UK wildfires have burned an area twice the size of Glasgow in 2025 appeared first on Carbon Brief.
Analysis: Record UK wildfires have burned an area twice the size of Glasgow in 2025
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