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Bill Hare is CEO and senior scientist with Climate Analytics.

The term “hard-to-abate” is widely claimed by heavy industry like the iron and steel sector to argue against having to reduce emissions quickly, or to justify their continued faith in carbon capture utilisation and storage (CCUS) – or offsets – to meet climate goals.

But continuing to classify highly polluting industrial sectors as “hard-to-abate” is jeopardising the world’s ability to achieve global net-zero CO2 emissions by around mid-century, critical to the Paris Agreement goal of limiting warming to 1.5C.

In a recent report, we have taken a forensic look at the iron and steel (and cement) sectors, showing how the “hard-to-abate” label has shaped both policy and industrial actions in ways that risk undermining the urgency and effectiveness of global climate mitigation efforts.

The iron and steel sector accounts for 7-8% of global greenhouse gas emissions. Technologies for achieving zero emissions in steel production are currently available at commercial scale, with strong policy support.  

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Yet this sector has convinced governments that it cannot mitigate its emissions without CCS – as evidenced by the recent German government announcement that sets aside €6 billion ($7 billion) to deal with hard-to-abate sectors like steel, which includes inviting proposals for CCS projects.

Iron and steel emissions are currently projected to be just 10% lower in 2050. Yet, in top-down scenarios that limit warming to 1.5C – such as the International Energy Agency’s Net Zero Emissions roadmap – combined CO2 emissions for iron and steel fall by about 23% by 2030 below 2023 levels, 46% by 2035 and 94% by 2050.

Existing tech and demand reduction can cut emissions

Steel is produced by one of three different methods. Nearly three-quarters of the world’s steel is still produced with the highly polluting “blast furnace to basic oxygen furnace” (BF-BOF). Here, coal is turned into coke at high temperatures to provide the carbon monoxide required to turn iron ore into iron. Coal typically also powers the furnace, where the steelmaking occurs. All stages of this process produce CO2.

The second is “direct reduced iron to electric arc furnace” (DRI-EAF) where iron ore is reduced in a direct reduction furnace in a solid state using a reduction gas such as hydrogen or syngas (often derived from fossil fuels). As the name implies, electric arc furnaces are powered by electricity, so there’s a choice of electricity generation sources.

Lastly, there’s scrap steel recycling in Electric Arc Furnaces (EAF), which can also be entirely powered by renewables.

This sector, we find, could feasibly reach near-zero residual CO2 emissions by around 2050 based on currently available technologies. If complemented by strong demand-side interventions without large-scale CCUS, this sector could potentially eliminate the need for negative CO2 emissions.

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Demand reduction measures, such as increased use of secondary steel and improving material efficiency, could reduce steel requirements by up to 20% by 2050, making deep decarbonisation even more achievable. Substantial emissions reductions could be achieved through circular economy strategies that reduce steel demand, such as cutting the ‘overspecification’ of steel in construction, which could lower steel use by 35–45%.

Advanced retrofitting of existing plants could also help limit warming to 1.5C. Substitution of green hydrogen and, only where necessary, CCUS, could lead to large reductions of up to 66% of cumulative emissions from this sector between 2020-2050, compared to estimated emissions levels without any interventions.

CCUS not working for industry

Industry recourse to future CCUS deployment and offsets must also be put in the context of doubts about the legitimate mitigation potential of these pathways. Because despite its frequent promotion, CCUS deployment in supposed hard-to-abate sectors – or indeed any sector – remains minimal for emissions abatement purposes.

Reliance on CCUS poses substantial technical, economic and scalability risks. It cannot capture 100% of emissions; residual emissions are inevitable.

The combined announced capacity for CCUS projects that are operating, planned or under construction in the steel sector is only 9 million tonnes of CO2 a year. This is just 0.3% of the total 2.6 billion tonnes of CO2 the steel sector emitted in 2022.

There are only two operational CCUS projects in the global iron and steel sector, which are delivering minimal capture rates. Aside from these, there are only 11 planned projects and one (two-stage) project under construction. This is compared to the more than 1,000 steel plants operating or under development globally.

Offsets, by design, allow CO2 emissions to occur that would not otherwise have occurred in their absence and often lack additionality, permanence and verifiability, thus failing to deliver real mitigation.

Together, CCUS and offsets allow companies to delay investment in transformative solutions. Strong policy and regulation should instead consider treating sectors like iron and steel as typical sectors with 1.5C-compatible emissions reduction obligations, reducing dependence on negative emissions by mid-century.

The post Is “hard-to-abate” really that hard – or is it a justification for delay? appeared first on Climate Home News.

Is “hard-to-abate” really that hard – or is it a justification for delay?

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Commencement of NSW Forestry assessment a ‘chance to fix a broken system’ and deliver urgent forest protection

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SYDNEY, Friday 18 September 2026 — In response to the Federal and NSW government’s announcement to commence an assessment of NSW forestry under the new national nature laws, Adele Chasson, Nature Policy Lead at Greenpeace Australia Pacific said:

“This is the Federal Government’s chance to fix a broken system that has enabled the destruction of NSW’s precious forests for far too long.

“Native forest logging continues to smash threatened species habitat. In NSW, it is pushing unique wildlife like koalas, greater gliders and glossy black cockatoos towards extinction. The state-owned logging agency has a disastrous record of environmental damage and breaches.

“The Regional Forest Agreement (RFA) system has failed, allowing the industrial logging of special forests for decades across Australia with no oversight. Thankfully, the Federal Government has started the process to finally remove the logging industry’s exemption from national nature laws.

“It’s time for the Federal Government to deliver the protection that forests urgently need, and that Australians overwhelmingly want. The Government must ensure a thorough assessment of the devastating impacts of native forest logging in NSW, and establish strong environmental rules that states must follow.

“These forests have been cared for by First Nations people for tens of thousands of years. They are some of the most biodiverse on the planet, store carbon, clean our air and water. It’s critical we protect them.”

ENDS

Media contact:

Kate O’Callaghan on 0406 231 892 or kate.ocallaghan@greenpeace.org

Commencement of NSW Forestry assessment a ‘chance to fix a broken system’ and deliver urgent forest protection

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Furry Little Peach x Greenpeace

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What happens when a love of marine life meets a playful imagination?

Sydney artist, illustrator and children’s author Sha’an d’Anthes, better known as Furry Little Peach, has teamed up with Greenpeace to create Happy Ocean Happy Planet: a joyful celebration of the extraordinary creatures that call our oceans home.

Sha’an felt inspired to create an illustration celebrating the beauty and resilience of marine life. Its hopeful message, A Happy Ocean is a Happy Planet, sparked a special collaboration with Greenpeace and a limited-edition t-shirt designed to help protect the oceans that inspired it.

The exclusive Furry Little Peach tee is available as a gift to new regular Greenpeace donors who give $30 or more and make at least three donations. By becoming a regular giver, you’ll help Greenpeace campaign for ocean protection.

Furry Little Peach Sha'an d'Anthes x Greenpeace

ARTIST INTERVIEW: Sha’an d’Anthes (Furry Little Peach)

Sha’an shares the story behind the artwork, the local marine creatures featured in the design and why hope can be such a powerful force for action.

Hi Sha’an! Can you tell us a little about yourself and what you do?

My name is Sha’an d’Anthes, I also go by the pseudonym Furry Little Peach and I’m an illustrator, artist and children’s author based in Sydney, Australia. I love creating joyful, vibrant and nostalgic art that looks at the world through the lens of childlike wonder.

What do you love about drawing animals and nature?

I love all of the different shapes, colour and narrative you get to explore when drawing animals and nature. I’m also a city-slicker these days, and so I think that my work is a sort of escapism (for myself and hopefully for my audience).

How did the Greenpeace collaboration come about?

I went to the premiere of David Attenborough’s documentary Ocean, and felt compelled to create something to share the message of the film. This t-shirt is actually based off of that illustration including the tagline in I included when I shared it “A Happy Ocean is a Happy Planet”. I’m so grateful Greenpeace approached me for the project – it was a blast.

Where did you start when creating the Happy Ocean Happy Planet design?

The Happy Ocean tee starts the same as all of my work – with a brainstorm/braindump and really loose concept sketches.

How did you choose the animals for the illustration?

I actually asked Greenpeace to help me with the research of local marine life and they were so accommodating. They very quickly delivered me a huge list of local species of fish, mammals and coral and I just went through and looked up each creature and curated a little group of sea life that I thought would look sweet together – a mix of sizes, types, colours, textures and shapes.

What did you use to create the artwork?

So much of my work is traditional, but when it comes to things like t-shirts I always use digital drawing programs because I like to draw each colour in a separate layer which requires me to jump in and out of layers because it allows me to control colour and printing. When working digitally I always sketch in Procreate (an Australian digital art app), and then with this project I created final art in Adobe Fresco because it called for a vector graphic (an image that can be blown up to any size).

Do you have a favourite creature in the design?

I love painting Humpback Whales and always have, but I also have a soft spot for the sweet little Jelly Blubber jellyfish.

What did you want people to feel when they saw the artwork?

I specifically wanted to focus on the outcome that all of us want to see – a happy, thriving ocean where creatures are given the time and space to balance themselves. I feel that even when tackling tough subjects, leaning into hope is my natural inclination. As long as we have hope that things can be better, we will continue to take action.

What was the most fun part of creating it?

I actually documented the entire process of this project in a studio vlog on YouTube – and you can see how much fun I’m having doing final art jumping between layers and building the image. I had just come off completing final art for two books which are multi-year long projects, so being able to do a project that from start to finish in just a few days was really freeing at the time.

Watch Sha’an’s Full Vlog

What does a “happy ocean” mean to you?

An ocean that given the time and space to repair and balance itself. Something I really took away from David Attenborough’s Ocean is that ocean ecosystems are actually really good at repairing themselves if we just let them do their thing.

How can people get their hands on the t-shirt?

The shirt is a reward for regular givers to Greenpeace – those who commit to at least 3 months of donations will receive the tee as a gift. Read about how at http://act.gp/flp-tee

How is Greenpeace helping to make our oceans happier places?

They have a deep focus on the health and happiness of our oceans through advocating for the set up of marine sanctuaries, holding big ocean polluters to account and calling for a ban on deep sea mining.

What are you working on next?

I will be jumping headfirst into Peachtober – an annual daily art challenge I run each year in October, if there are any artists reading this it’s a great time so please come join! In terms of publications my next picture book The Late Bird will be out in February 2027 (published by Harper Collins US) and then I have an creative activity book for adults coming out next August with Chronicle US and Penguin Australia. Otherwise you can always check out what I’m tinkering away with in my studio on Instagram and YouTube.

Furry Little Peach x Greenpeace

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AI giant Anthropic’s first Australian data centre deal an “egregious” example of Big Tech double talk

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SYDNEY, Thursday 17 September 2026 — Greenpeace Australia Pacific has slammed AI giant Anthropic’s deal for its first Australian site in Queensland’s Western Downs, the heart of coal seam gas country, saying the project will entrench gas and turbocharge climate pollution.

The expected electricity demand from the data centre site, situated in the middle of the Western Downs coal seam gas fields, is comparable to 1.5 million Australian households. Greenpeace’s report Energy Vampires: The AI data centres draining Australia called for a moratorium on frenzied data centre development until appropriate guardrails are in place.

Joe Rafalowicz, Head of Climate and Energy at Greenpeace Australia Pacific, said: “This is an egregious example of Big Tech giants being given carte blanche to drain energy and water, and use polluting gas to fuel their hyperscale data centres.

“AI and Big Tech corporations claim to bring new renewable energy to the grid, while blatantly planning to power their operations with polluting fossil fuels.

Planning documents show the first stage of this behemoth project could be powered by ‘behind the metre’ gas — the same playbook AI companies have used in the US, leading to a 20% increase in climate pollution from electricity. Now these companies want to bring their cowboy plans to Australia and the Federal Government is allowing it.

“If they plugged into the local grid, the power required would increase Queensland’s electricity grid emissions by around 6.6 million tonnes — an 18% rise. If they build their own gas-fired power plants, this will drive up Queensland’s emissions even more.

“Billions of dollars are now pouring into a massive pipeline of proposed new data centres, of unprecedented size, being built at incredible speed across the country. Australians should be worried about the extreme lack of scrutiny being applied to these projects, and the corporations leading the data centre charge.

“The data centre build-out is happening without the endorsement of the Australian people, yet we are the ones who will pay the price. We can not allow unchecked data centre expansion to derail our renewable energy transition, entrench gas and turbocharge climate pollution — that’s why Greenpeace has called for an urgent moratorium until appropriate guardrails are in place.”

ENDS

Media contact: Kate O’Callaghan on 0406 231 892 or kate.ocallaghan@greenpeace.org

AI giant Anthropic’s first Australian data centre deal an “egregious” example of Big Tech double talk

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