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As global oil prices rocket due to the closure of the Strait of Hormuz, traditional jet fuel has become hard to come by and has nearly doubled in price, leading airlines across much of the world to raise ticket prices or cancel flights.

While greener fuels produced from plants or green hydrogen remain more expensive, the cost gap has narrowed and experts told Climate Home News that this could boost demand in the struggling sustainable aviation fuel (SAF) industry.

Matt Ridley, sustainability and innovation director at the OneWorld airline alliance told Climate Home News that “higher jet fuel prices narrow the green premium, reinforcing the role of SAF in cutting lifecycle emissions while reducing exposure to volatile fossil fuel markets.”

Marie Owens Thomsen, chief economist and sustainability lead at the International Air Transport Association (IATA), a trade group for airlines, said the world is currently seeing “the highest jet fuel prices that we’ve ever had in the history of jet travel”.

    The problem predates the war but has been worsened by it, she said, adding that as demand for oil-based products like diesel has declined because of the electrification of road transport, many of the oil refineries that produce jet fuel were struggling to make a profit.

    The crisis could “wake people up” to the problem of depending on “oil monopolies in the Middle East”, she said, adding that ramping up SAF production is critical for energy security.

    “Khaki is the new green”

    Some in the military sector seem to be taking note. Rheinmetall, a long-term supplier of the German air force, has partnered with a company called Ineratec which is developing technology to produce e-SAF based on hydrogen. And during the Biden administration, the US Department of Defense invested $65 million in an American e-SAF startup called Air Company.

    Summing up the changing reasons for interest in SAF, Marcella Franchi from SAF producer Haffner Energy told the SAF Investor Summit in February that “khaki is the new green”. Speaking before the US bombed Iran, she gave the example of Canada, which she said is pursuing SAF production to avoid reliance on oil-based jet fuel from its “very unsettling neighbours”.

    Since conflict has flared in the Middle East, Susan van Dyk, a former academic turned SAF consultant, told Climate Home News that a temporary narrowing of the cost gap is not, by itself, enough to make SAF take off. But the energy crisis may push governments to support SAF, she said.

    The European Union and the UK have both mandated that, from January 2025, fuel suppliers at their airports must blend at least 2% SAF with oil-based kerosene. The blending requirement will gradually increase to reach 32% in the EU and 22% in the UK by 2040.

    But, at least before the latest oil crisis, the EU and UK faced pressure from some airline and fossil fuel executives to water down these rules. The uncertainty these calls have created is damaging investment in production, SAF producers have said.

    Book and claim

    Speaking at the SAF Investor Conference in February, African airline executives and SAF producers said the design of the EU and UK mandates hinders non-European producers from contributing.

    Under current rules, the SAF has to be physically delivered to planes at EU and UK airports to count towards the mandate, which favours SAF produced in or close to European airports – even though the raw materials to make it, such as waste oil, are often imported from regions like Southeast Asia.

    Wakina Mutembei, Kenya Airways’ sustainability and innovations lead, told the conference that the EU and UK should adopt what is known as a book-and-claim system, where SAF supplied to planes outside of Europe can count towards a fuel supplier’s compliance with the EU and UK’s mandates.

    Wakina Mutembei speaks at the SAF Investor conference in London (Photo: SAF Investor)

    This would be a “business opportunity”, she told the London audience, to use abundant Kenyan crops and used cooking oil and lower production costs “to produce SAF that is cheaper for the European market and the UK market”.

    “If we are all complaining that the cost of SAF is higher, why not go to a market where it’s cheaper to produce it?” she asked, noting that this would create jobs in Africa and earn foreign currency.

    Francis Mwangi, senior engineer at Kenya’s Civil Aviation Authority, told Climate Home News in an interview that if SAF is produced in Africa “you might find that, even relatively, the price might not be as far from the normal Jet A1 [oil-based jet fuel]”.

    IATA’s Thomsen also called for a book-and-claim system, saying it “is definitely a way of making this teeny-tiny, bespoke, private-deal kind of market grow into a global market” by removing geographical constraints.

    Shipping SAF long distances to be pumped into planes is inefficient, she said, adding that “without book and claim, this market will not scale”.

    The post Oil crisis could boost struggling sustainable aviation fuel industry appeared first on Climate Home News.

    Oil crisis could boost struggling sustainable aviation fuel industry

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    Commencement of NSW Forestry assessment a ‘chance to fix a broken system’ and deliver urgent forest protection

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    SYDNEY, Friday 18 September 2026 — In response to the Federal and NSW government’s announcement to commence an assessment of NSW forestry under the new national nature laws, Adele Chasson, Nature Policy Lead at Greenpeace Australia Pacific said:

    “This is the Federal Government’s chance to fix a broken system that has enabled the destruction of NSW’s precious forests for far too long.

    “Native forest logging continues to smash threatened species habitat. In NSW, it is pushing unique wildlife like koalas, greater gliders and glossy black cockatoos towards extinction. The state-owned logging agency has a disastrous record of environmental damage and breaches.

    “The Regional Forest Agreement (RFA) system has failed, allowing the industrial logging of special forests for decades across Australia with no oversight. Thankfully, the Federal Government has started the process to finally remove the logging industry’s exemption from national nature laws.

    “It’s time for the Federal Government to deliver the protection that forests urgently need, and that Australians overwhelmingly want. The Government must ensure a thorough assessment of the devastating impacts of native forest logging in NSW, and establish strong environmental rules that states must follow.

    “These forests have been cared for by First Nations people for tens of thousands of years. They are some of the most biodiverse on the planet, store carbon, clean our air and water. It’s critical we protect them.”

    ENDS

    Media contact:

    Kate O’Callaghan on 0406 231 892 or kate.ocallaghan@greenpeace.org

    Commencement of NSW Forestry assessment a ‘chance to fix a broken system’ and deliver urgent forest protection

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    Furry Little Peach x Greenpeace

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    What happens when a love of marine life meets a playful imagination?

    Sydney artist, illustrator and children’s author Sha’an d’Anthes, better known as Furry Little Peach, has teamed up with Greenpeace to create Happy Ocean Happy Planet: a joyful celebration of the extraordinary creatures that call our oceans home.

    Sha’an felt inspired to create an illustration celebrating the beauty and resilience of marine life. Its hopeful message, A Happy Ocean is a Happy Planet, sparked a special collaboration with Greenpeace and a limited-edition t-shirt designed to help protect the oceans that inspired it.

    The exclusive Furry Little Peach tee is available as a gift to new regular Greenpeace donors who give $30 or more and make at least three donations. By becoming a regular giver, you’ll help Greenpeace campaign for ocean protection.

    Furry Little Peach Sha'an d'Anthes x Greenpeace

    ARTIST INTERVIEW: Sha’an d’Anthes (Furry Little Peach)

    Sha’an shares the story behind the artwork, the local marine creatures featured in the design and why hope can be such a powerful force for action.

    Hi Sha’an! Can you tell us a little about yourself and what you do?

    My name is Sha’an d’Anthes, I also go by the pseudonym Furry Little Peach and I’m an illustrator, artist and children’s author based in Sydney, Australia. I love creating joyful, vibrant and nostalgic art that looks at the world through the lens of childlike wonder.

    What do you love about drawing animals and nature?

    I love all of the different shapes, colour and narrative you get to explore when drawing animals and nature. I’m also a city-slicker these days, and so I think that my work is a sort of escapism (for myself and hopefully for my audience).

    How did the Greenpeace collaboration come about?

    I went to the premiere of David Attenborough’s documentary Ocean, and felt compelled to create something to share the message of the film. This t-shirt is actually based off of that illustration including the tagline in I included when I shared it “A Happy Ocean is a Happy Planet”. I’m so grateful Greenpeace approached me for the project – it was a blast.

    Where did you start when creating the Happy Ocean Happy Planet design?

    The Happy Ocean tee starts the same as all of my work – with a brainstorm/braindump and really loose concept sketches.

    How did you choose the animals for the illustration?

    I actually asked Greenpeace to help me with the research of local marine life and they were so accommodating. They very quickly delivered me a huge list of local species of fish, mammals and coral and I just went through and looked up each creature and curated a little group of sea life that I thought would look sweet together – a mix of sizes, types, colours, textures and shapes.

    What did you use to create the artwork?

    So much of my work is traditional, but when it comes to things like t-shirts I always use digital drawing programs because I like to draw each colour in a separate layer which requires me to jump in and out of layers because it allows me to control colour and printing. When working digitally I always sketch in Procreate (an Australian digital art app), and then with this project I created final art in Adobe Fresco because it called for a vector graphic (an image that can be blown up to any size).

    Do you have a favourite creature in the design?

    I love painting Humpback Whales and always have, but I also have a soft spot for the sweet little Jelly Blubber jellyfish.

    What did you want people to feel when they saw the artwork?

    I specifically wanted to focus on the outcome that all of us want to see – a happy, thriving ocean where creatures are given the time and space to balance themselves. I feel that even when tackling tough subjects, leaning into hope is my natural inclination. As long as we have hope that things can be better, we will continue to take action.

    What was the most fun part of creating it?

    I actually documented the entire process of this project in a studio vlog on YouTube – and you can see how much fun I’m having doing final art jumping between layers and building the image. I had just come off completing final art for two books which are multi-year long projects, so being able to do a project that from start to finish in just a few days was really freeing at the time.

    Watch Sha’an’s Full Vlog

    What does a “happy ocean” mean to you?

    An ocean that given the time and space to repair and balance itself. Something I really took away from David Attenborough’s Ocean is that ocean ecosystems are actually really good at repairing themselves if we just let them do their thing.

    How can people get their hands on the t-shirt?

    The shirt is a reward for regular givers to Greenpeace – those who commit to at least 3 months of donations will receive the tee as a gift. Read about how at http://act.gp/flp-tee

    How is Greenpeace helping to make our oceans happier places?

    They have a deep focus on the health and happiness of our oceans through advocating for the set up of marine sanctuaries, holding big ocean polluters to account and calling for a ban on deep sea mining.

    What are you working on next?

    I will be jumping headfirst into Peachtober – an annual daily art challenge I run each year in October, if there are any artists reading this it’s a great time so please come join! In terms of publications my next picture book The Late Bird will be out in February 2027 (published by Harper Collins US) and then I have an creative activity book for adults coming out next August with Chronicle US and Penguin Australia. Otherwise you can always check out what I’m tinkering away with in my studio on Instagram and YouTube.

    Furry Little Peach x Greenpeace

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    AI giant Anthropic’s first Australian data centre deal an “egregious” example of Big Tech double talk

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    SYDNEY, Thursday 17 September 2026 — Greenpeace Australia Pacific has slammed AI giant Anthropic’s deal for its first Australian site in Queensland’s Western Downs, the heart of coal seam gas country, saying the project will entrench gas and turbocharge climate pollution.

    The expected electricity demand from the data centre site, situated in the middle of the Western Downs coal seam gas fields, is comparable to 1.5 million Australian households. Greenpeace’s report Energy Vampires: The AI data centres draining Australia called for a moratorium on frenzied data centre development until appropriate guardrails are in place.

    Joe Rafalowicz, Head of Climate and Energy at Greenpeace Australia Pacific, said: “This is an egregious example of Big Tech giants being given carte blanche to drain energy and water, and use polluting gas to fuel their hyperscale data centres.

    “AI and Big Tech corporations claim to bring new renewable energy to the grid, while blatantly planning to power their operations with polluting fossil fuels.

    Planning documents show the first stage of this behemoth project could be powered by ‘behind the metre’ gas — the same playbook AI companies have used in the US, leading to a 20% increase in climate pollution from electricity. Now these companies want to bring their cowboy plans to Australia and the Federal Government is allowing it.

    “If they plugged into the local grid, the power required would increase Queensland’s electricity grid emissions by around 6.6 million tonnes — an 18% rise. If they build their own gas-fired power plants, this will drive up Queensland’s emissions even more.

    “Billions of dollars are now pouring into a massive pipeline of proposed new data centres, of unprecedented size, being built at incredible speed across the country. Australians should be worried about the extreme lack of scrutiny being applied to these projects, and the corporations leading the data centre charge.

    “The data centre build-out is happening without the endorsement of the Australian people, yet we are the ones who will pay the price. We can not allow unchecked data centre expansion to derail our renewable energy transition, entrench gas and turbocharge climate pollution — that’s why Greenpeace has called for an urgent moratorium until appropriate guardrails are in place.”

    ENDS

    Media contact: Kate O’Callaghan on 0406 231 892 or kate.ocallaghan@greenpeace.org

    AI giant Anthropic’s first Australian data centre deal an “egregious” example of Big Tech double talk

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